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Geek blog for all things hackintosh, dslr video plus tweaking, hacking and modding your gear and gadgets.

23Sep/120

Theatrical Video Shoot with 2 Nikon D800E Cameras, Black Magic Hyperdeck Shuttle 2 + Wireless HDMI

[Update] after my interview with the group, they clarified that while the HDMI setup was used for initial tests, they were switching to a wireless HD-SDI transmitter/receiver pair. The HDMI solution was quite stable but the HD-SDI version was rock solid even after "filming while moving through the mud".

A press release just reached me via email: the group ArtisticBokeh finished a project, combining a theatre play with a video/film shooting. According to the press release, the used hardware for realizing the piece (and a live stream setup for online viewers) were

* 2x Nikon D800E Cameras
* Black Magic Hyperdeck Shuttle 2
* Atomos Ninja 2
* 2 Wireless HDMI Devices: brite-View HDelight BV-1222 (USA), CM3 WHDICM3 Wireless HDMI (Europe)

Image CC ArtisticBokeh, a theatre play that was intertwined with a movie shooting using two Nikon D800E Cameras, Black Magic Hyperdeck Shuttle, Wireless HDMI and SDI among a live stream.

Miasma – Call for Reduction was an initial prototype that combined the media/formats of theatre and film: in three days, the performance that took place in the viennese ‘Alte Ankerbrotfabrik’ was interwoven with a movie-shooting. The actual production included the DSLR-cameramen – the cameras were not hidden from the public, but rather included in the storytelling and the stage set. ‘Call for Reduction’ was not only a performative experiment, but also consisted of various experiments with new media technologies as well as new audiences and forms of reception regarding the story-complex and the fictional world of Marie Müller, the main character of the play.

In my opinion, this project perfectly shows how a creative combination of camera and computer hardware can bring new perspectives to rather "old artforms" such as theatre. According to the press release, the group will work on additional prototypes with self-developed camera rigs and settings. You can follow them on twitter and subscribe to their mailinglist directly on their website.

24Mar/120

computers saved capitalism. according to joseph weizenbaum

joseph weizenbaum rebel at work dvd film documentary computers saved capitalismJoseph Weizenbaum, German-American author and professor emeritus of computer science at MIT is called one of the grandfathers of artificial intelligence. The documentary Weizenbaum. Rebel at Work shows Weizenbaum talking about computers and globalism. He states that "if you think of the social structures of the world (...) computers came at the right time to prevent a radical change of the world". Computers finally saved capitalism in a moment, when the polulation boom needed a structural change - in some sense, computers prevented a radical and maybe better transformation, according to Weizenbaum.

The film on DVD is highly recommended by nanofunk!

The film spans 8 decades of Joseph Weizenbaum's life. It provides a stage for his humorous narrative depicting a World of Yesterday while reflecting on the dawn of the computer age. It follows 84-year-old Weizenbaum on some of his numerous public lessons, effortlessly entertaining overcrowded lecture halls. (via amazon.com)

13Mar/120

First Nikon D4 Unboxing Video

Nikonrumors just posted the first Nikon D4 unboxing video.

Current deals:
* Nikon D4 16.2 MP CMOS FX Digital SLR (Body Only) pre-order at amazon.com for $5.999
* Nikon D4 product page on ebay.com

4Nov/110

RED announces the Scarlet-X 4k Camera to compete the Canon C300 for DSLR film makers

Just as Canon announced the C300 DSLR Video Camera - RED, the company behind the legendary RED EPIC camera, announces the RED SCARLET-X with Canon EF or Arri PL mount: a 4K camera with a price starting below 10.000US$. While the Canon C300 is a 1080p camera that uses 4:2:2 sampling, (50 Mbps MPEG2) and captures a total of 3840x2160 pixels with its Super 35mm image sensor, the RED has other specs: 440Mbps RED REDCODE RAW format at 444 , 12fps at 5K, 25fps at true 4K, 30fps in 3K and 60fps in 2K.

credits go to @alexhallajian for an image of the RED Scarlet-X Camera. The Scarlet-X will retail for $9750, according to @fxguidelive, with a "full kit" chiming in at just under $14k. It's a bummer RED hasn't been able keep its website up to make a proper announcement. Hopefully the November 17th ship date for the PL mount version and the December 1st date for the Canon mount both go more smoothly. We've embedded RED's teaser trailer below, along with some pictures of the Scarlet-X.

Canon also announced a real 4k Camera to be available somewhere in the next year. So 2012 could become the real year of DSLR Video.

Here is the original press release from RED.COM
(via red.com/press):

RED STUDIOS HOLLYWOOD, Hollywood, Calif., November 3, 2011 – RED Digital Cinema has officially released its third industry-changing camera, the Scarlet-X. With burst modes up to 12 fps at full 5K resolution alongside 4K motion capture from 1-30 fps, the camera allows professional photographers and cinematographers to simultaneously capture motion footage and still content. Never miss a shot. Ever. Scarlet-X’s compact design, endless modularity and advanced feature set provide a future-proof solution catering to every shooter’s needs, leaving one-dimensional DSLRs and 1080p camcorders in its wake. Priced at under $10,000, Scarlet-X advances RED’s vision to democratize superlative cinema and professional photography.
Scarlet-X comes standard with a Canon EF or PL mount, which can be swapped easily using Scarlet-X’s interchangeable lens mount system. Panavision, Anamorphic, and Nikon lenses are also compatible with the camera, providing ultimate freedom when it comes to creative decision-making. The addition of HDRx reaches up to 18 stops of dynamic range, bringing digital images closer than ever to the natural perception of the human eye.
With the innate ability to capture 5K REDCODE RAW stills and true 4K motion footage, Scarlet-X produces visually lossless files that can easily be graded and finished. Combining all of the finest qualities of cinema and photography into one camera, Scarlet-X allows the customer to have the best of both worlds. Compromise nothing. Shoot everything.
“The future is dependent on those who push… not those who react,” said Jim Jannard, founder of RED Digital Cinema.
RED is now taking orders on RED.com for Scarlet-X.
Since delivering their first camera – the RED ONE – in 2007, RED Digital Cinema has jumped ahead of the pack over camera companies that had dominated the market for decades. Feature films shot with RED cameras such as the Academy Award-winning movie “The Social Network” and the more recent “Contagion” have contributed to a lineage of cinematic success. Since the 2011 introduction of DSMC (Digital Still & Motion Camera) technology, photography icons like Bruce Weber, Greg Williams and Inez + Vinoodh have used RED cameras to shoot covers and spreads for the some of the most influential fashion magazines in the world.
Follow the announcement at REDUSER.net/SCARLET.

[Update 20.11.2011] Philip Bloom posted a balanced take on the Scarlet. Worth a read.

Recommended reading on this topic: The Truth About 2K, 4K and The Future of Pixels

19Aug/112

RAW Video for DSLR with Magic Lantern and Black Magic Hyperdeck Shuttle (vs. Atomos Ninja): 5D MKII, 550D, Rebels

[Update] Black Magic Hyperdeck Shuttle 2 as well as the Atomos Ninja 2 Recorder are already out. We are reviewing them shortly, as we have used both already in production. Both are capable of DNxHD as well as Apple ProRes.

SLR Film making got even more exciting: with the availability of HDMI recorders, RAW Video footage can be recorded to get the maximum out of your Canon 5D MKII or other camera compatible with Magic Lantern. Standard Firmware does not output a "clean" HDMI signal, at least not for Canon cameras; the Panasonic GH2 produces a clean HDMI output, as noted by Philip Bloom (!).

What are currently recommended HDMI field recorders?

1. Black Magic Hyperdeck Shuttle (RAW Video)

Black Magic Design Hyperdeck Shuttle

* Product information page/ manufacturer: Black Magic Design
* Discussion on the Magic Lantern User Group: hyperdeck shuttle

Pro:

  • Very Cheap: ($339.99 in the USA, 299€ in Europe
  • Records UNCOMPRESSED (!) RAW Footage from HDMI Out.
  • Cons:

  • Expensive in usage: 15 minutes uncompressed (1.6 GB/s) = 180GB
  • SSD drives NOT included, so you might need to calculate in some OCZ Vertex 3 SSDs in your budget
  • No Video Monitoring on the device itself. You might need to buy an external monitor, such as the Liliput external HDMI monitor (starting at $169 in the USA and 186€ in Europe)



    2. Atomos Ninja - Portable HDMI Recorder (ProRes)
    Atomos Ninja HDMI Recorder for almost RAW Video (Apple ProRes)

    Pro:

  • Smaller files, since it is no real RAW footage but Apple ProRes: 6 hours ProRes 422 (HQ) (220 MB/s) (16.5 Hours with 750GB Disks)

  • Monitoring included! 4.3” diagonal, 480x270 resolution
  • Cheap usage, since Hard Drives can be used! (though, the initial price is higher:
  • Less storage space needed
  • Supports two Hard Drives or SSD-Disks.
  • Firewire 800, USB-2 and USB-3
  • Continous Battery: two power cells to guarantee uninterrupted usage

    Cons:

  • Apple ProRes and no real RAW footage (this can be a good thing, as you are saving tons of money and storage space)
  • No ProRes for Windows users yet; Apple users might need to get Final Cut, since Apple ProRes is included in FCP Studio


  • Conclusion:
    Unless you are super-rich and have tons of money to spend for Solid State Drives and a RAID Array, you should get the Atomos Ninja. Besides the actual device, you also get a monitoring solution and have a true portable device, that creates files usable with normal hard drives. Overall cost is much lower and there should not be a really visible difference from ProRes to RAW footage. If you are into Bokeh Porn, you might want to spend your money in the Black Magic Hyperdeck Shuttle.

    Keep in mind, there are currently some issues with HDMI out an Magic Lantern: there is a video on the 5D MKII's 1080i out and also some discussions going on in the Magic Lantern Forums, because some processing needs to be done to get actual usable files. Actual resolutionis 12-19% less (depending how you do it) but still the results are awesome - especially in low light situations. Maybe we will get real clean HDMI out with the Canon EOS 5D MKIII.

       
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