Believe it or not, the Blackmagic Design - Blackmagic Cinema Camera CINECAM26KEFis currently being sold on ebay, shipping internationally.
I will keep you updated on possible ways to order the Black Magic Cinema Camera (EF as well as MFT mount), since I am also actively searching for this camera. Expect various offers on ebay and amazon (as well as on other sites) to pop up soon.
I was able to recently test the EF-Version at a local BMD-distributor store and I have to say, it is awsome. I could not test the included software bundle, but the camera handling itself was great. I will post a review video with photos and more info once I get my hands on again (which will be soon, believe me). Also, drop us an email if you have sample videos or recent information on availability!
Just as Canon announced the C300 DSLR Video Camera - RED, the company behind the legendary RED EPIC camera, announces the RED SCARLET-X with Canon EF or Arri PL mount: a 4K camera with a price starting below 10.000US$. While the Canon C300 is a 1080p camera that uses 4:2:2 sampling, (50 Mbps MPEG2) and captures a total of 3840x2160 pixels with its Super 35mm image sensor, the RED has other specs: 440Mbps RED REDCODE RAW format at 444 , 12fps at 5K, 25fps at true 4K, 30fps in 3K and 60fps in 2K.
Canon also announced a real 4k Camera to be available somewhere in the next year. So 2012 could become the real year of DSLR Video.
Here is the original press release from RED.COM
RED STUDIOS HOLLYWOOD, Hollywood, Calif., November 3, 2011 – RED Digital Cinema has officially released its third industry-changing camera, the Scarlet-X. With burst modes up to 12 fps at full 5K resolution alongside 4K motion capture from 1-30 fps, the camera allows professional photographers and cinematographers to simultaneously capture motion footage and still content. Never miss a shot. Ever. Scarlet-X’s compact design, endless modularity and advanced feature set provide a future-proof solution catering to every shooter’s needs, leaving one-dimensional DSLRs and 1080p camcorders in its wake. Priced at under $10,000, Scarlet-X advances RED’s vision to democratize superlative cinema and professional photography.
Scarlet-X comes standard with a Canon EF or PL mount, which can be swapped easily using Scarlet-X’s interchangeable lens mount system. Panavision, Anamorphic, and Nikon lenses are also compatible with the camera, providing ultimate freedom when it comes to creative decision-making. The addition of HDRx reaches up to 18 stops of dynamic range, bringing digital images closer than ever to the natural perception of the human eye.
With the innate ability to capture 5K REDCODE RAW stills and true 4K motion footage, Scarlet-X produces visually lossless files that can easily be graded and finished. Combining all of the finest qualities of cinema and photography into one camera, Scarlet-X allows the customer to have the best of both worlds. Compromise nothing. Shoot everything.
“The future is dependent on those who push… not those who react,” said Jim Jannard, founder of RED Digital Cinema.
RED is now taking orders on RED.com for Scarlet-X.
Since delivering their first camera – the RED ONE – in 2007, RED Digital Cinema has jumped ahead of the pack over camera companies that had dominated the market for decades. Feature films shot with RED cameras such as the Academy Award-winning movie “The Social Network” and the more recent “Contagion” have contributed to a lineage of cinematic success. Since the 2011 introduction of DSMC (Digital Still & Motion Camera) technology, photography icons like Bruce Weber, Greg Williams and Inez + Vinoodh have used RED cameras to shoot covers and spreads for the some of the most influential fashion magazines in the world.
Follow the announcement at REDUSER.net/SCARLET.
[Update 20.11.2011] Philip Bloom posted a balanced take on the Scarlet. Worth a read.
Recommended reading on this topic: The Truth About 2K, 4K and The Future of Pixels
Canon recently unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a huge crowd. Cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world - the Canon C300 aims at people that are into professional DSLR Video and want to take a step further.
It will cost somewhere in the range of $20,000. It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens.
With the Four Thirds Standard being around for quite a bit longer than the MFT (Micro Four Thirds) there is an actual way to use those lenses on a MFT System such as the Panasonic GH2 or any other Micro Four Thirds Cameras using the Panasonic DMW-MA1 Four Thirds to MFT Adapter. Lenses, such as the Panasonic/Leica 14-50mm f/2.8-3.5 OIS Four Thirds Lens can be used on Micro Four Thirds Cameras - but the question remains, if there is an actual way to use four thirds lenses on Canon EF Systems, since the Panasonic/Leica Lens D Vario-Elmarit 14-50mm 2.8-3.5 ASPH is a very good Lens.
Unfortunately, the optics of 4/3 and MFT (Four Thirds and Micro Four Thirds) imply, that the image size projected on the sensor is smaller than any full frame or APS-C sensor so there would be a massive vignetting (a reduction of an image's brightness or saturation at the periphery compared to the image center), producing pictures as the ballon-picture on the left. A gradual decrease in light intensity towards the image periphery happens, so it actually does not make so much sense to use MFT or 4/3 lenses on systems with a larger sensor. Still it totally makes sense, to use lenses designed for 35mm or larger than four thirds on any FT/MFT system, such as the Redrock Micro LiveLens, Active Lens Mount for Canon EF Lenses. In another post, I will write a comparison on legacy lens systems and the usage on MFT/FT and EF systems.
Redrock Micro has created a Canon EF to Micro Four Thirds lens adapter which adds the electronics required to control the aperture on the mounted EOS lenses - 9V battery and a touch-panel allows the adapter to specify the lens aperture in 1/3EV steps. The adapter (LiveLens MFT) costs $442.50 and is available directly from the manufacturer's website.
The Redrock Micro LiveLens, Active Lens Mount for Canon EF Lenses currently sells for $495 on amazon, while the manufacturer has an introductory pricing at $442.50.
Redrock Micro's LiveLens MFT provides the required power and electronics to control Canon EF lenses when attached to a micro four-thirds camera body. With the LiveLens MFT's control touchpad, the EF lens' aperture can be open and closed in increments as small as 1/3 stop. The LiveLens MFT works with virtually every EF lens available today, including variable aperture zoom lenses, prime lenses, consumer-level lenses, professional L-series lenses and most third party EF-compatible lenses. A marvel of advanced design, the LiveLens MFT is incredibly compact and weighs less than 6oz. (via dpreview)
Since lot of people ask me, which (photo) cameras to buy which also work for filming, here is a short roundup of cameras that I find worth mentioning. All of the cameras mentioned will work with Magic Lantern:
Canon Rebel T1i|
Canon EOS 500D
Canon Rebel T2i|
Canon EOS 550D
Canon Rebel T3i|
Canon EOS 600D
Canon EOS 60D
Canon EOS 5D MKII
Europe: 449.00€ (used)
|The Revel T1i was a great camera, although we cannot recommend it, since its successor is the 550D and the 600D. If you can get a cheap second hand alternative at ebay, you might get a deal, though. (Seen on ebay for $199 used)||The 550D is a great camera, although the 600D beats it in price/value. If you can get your hands on a cheap second-hand 550D, you might be able to even save some more bucks. (Seen on ebay for $399 used)||The 600D is our definite winner in price/value: feature-rich, reasonably priced, enjoyable to use and, most importantly, takes great pictures. It's relatively small, but is fully supported by Magic Lantern and you should be really happy with that camera if you use good lenses and fast Compact Flash Cards.||The 60D is a great camera, although almost in the same range as the 7D (which has no Magic Lantern support yet). If you are only shooting photos, go for the 7D - if you are doing video, save some bucks and go for the 600D. Invest the spare money in good lenses.||The best of all the cameras compared, if we leave out the price. While this is also the most pricy camera, it certainly gets beaten by the 600D when it comes to price/value. The Canon EOS 5D MKII is the best camera for digital video out there, although with the 600D and with fast enough SDXC cards, you will almost match the quality of the 5D MKII.|
Conclusio: get the 600D if you need to save money, get the 5D MKII if you have some spare 3000$. Invest in good lenses, such as the Canon EF 24-105mm f/4 L IS USM, even if you are using it on the 600D (it will get converted to a 38-168mm, though). The Canon EF-S 55-250mm f/4.0-5.6 IS is a cheap but quite good alternative. Make sure you get a really fast SDXC card, since you will want to increase the Video Bitrate with Magic Lantern to make your videos quality increase as well. Recommendation: the Lexar Media 64 GB SDXC Flash Memory Card LSD64GCRBNA133 stores 64GB (!) and is blazingly fast.