Category Archives: Visual Graphic Arts

Apple MacBook Pro Retina graphics performance is very slow: 18FPS

Apple MacBook Pro Retina 15inch Notebook GPU too slow for pro users?

According to Anandtech the 2880 x 1800 Pixel HiDPI Display of the new MacBook Pro Retina has to deal with so much pixels, the GPU cannot deal with that amount of information anymore. This results in slow performance and a jumpy interface (scrolling and zooming is very slow). Previous models of the MacBook Pro could display between 46-60 frames per second, while the MacBook Pro Retina is only capable of displaying 18-24fps. Mac OSX 10.8 Mountain Lion should improve this a little – but still under 30fps. According to Anand, the solution will be the upcoming Haswell and Broadwell chipsets from Intel, that will be released in 2013.

To quantify exactly what I was seeing I measured frame rate while scrolling as quickly as possible through my Facebook news feed in Safari on the rMBP as well as my 2011 15-inch High Res MacBook Pro. While last year’s MBP delivered anywhere from 46 – 60 fps during this test, the rMBP hovered around 20 fps (18 – 24 fps was the typical range). Remember at 2880 x 1800 there are simply more pixels to push and more work to be done by both the CPU and the GPU. It’s even worse in those applications that have higher quality assets: the CPU now has to decode images at 4x the resolution of what it’s used to. Future CPUs will take this added workload into account, but it’ll take time to get there.

For early adopters and for posers, the new MacBook Pro Retina might be a fit. For serious people using their computers to actually get work done, it might be better to get a MacBook Pro from the previous Generation, since the price drops are significant: the Apple MacBook Air MC968LL/A 11.6-Inch currently sells for $829 new (refurbished from $789), the Apple MacBook Pro MC700LL/A 13.3-Inch sells for $1050 new ($900 refurbished).

The Apple MacBook Pro MC975LL/A 15.4-Inch Laptop with Retina Display (NEWEST VERSION) starts at $2,089.99.

Nikon D800 and D800E DSLR Cameras are DxOMark Leaders

DxOMark is the trusted industry standard for camera and lens independent image quality measurements and ratings – DxO Labs is also behind the software DxO Optics Pro, a “Photo Enhancing Software for Mac and Windows”, which is said to have the best RAW converters out there, compared to Adobe Lightroom and Apple Aperture. Long story short, the latest Nikon Cameras are the top-leaders of the DxOMark scoreboard – with the Nikon D800E scoring 96 points and the Nikon D800 scoring 95 points.

The Nikon D800E as well as the Nikon D800 are in stock on amazon marketplace, so make sure to get either model. As previously reported on nanofunk – the differences of the D800 to the D800E are minor – but both models are highly recommendable cameras. I just ordered myself a D800E, expect some in-depth experience postings here soon.

New Nikon D800 and D800e stock available shortly, according to Nikon and various online sources

30,000 Units of the D800 and D800E are produced per month. Demands are still more than can be produced.According to Nikon USA and to various sellers, the next bunch of D800 cameras will be released by end of the month, since the production volume of the cameras (D800 and D800E) is 30,000 units per month. I am also on various waiting lists for a D800E (which is actually even harder to get hands on, since it is produced in smaller quantities), such as Amazon and B&H Photography – and I can recommend you do the same, if you are really interested in getting any version of the D800 camera.

In Europe (UK and Mainland), there are some sellers that actually have the Nikon D800 in stock, although for a slightly higher price than Nikon’s recommended price tag, but what about the USA? I tweeted yesterday, that the Nikon D800 is available for $2750 in the US, but the stock of this particular shop seems to have been completely sold in only 3 hours. There are some people selling their factory sealed D800 cameras in the USA, so if you really want one, you have to pay the price of some few extra bucks.

But according to big resellers and to Nikon, the next batch of units will be available soon in Europe and in the USA: end of the month/beginning of next month, another big amount of preorders will be fulfilled.

With the current 1,600 workers, the factory is producing one unit of camera per minute on a daytime shift with each unit of the D800 variant produced every four hours and the D4 variant every five hours.” (source: nikonrumors)

But this is not the whole deal: according to techradar, “Some components for camera production are sourced from overseas factories including Nikon China, with around 1600 component parts required to produce both the D800 and D4.

All this hype and lots of work go into the D800, which already received the Camera GP2012 Camera of the Year and Readers Awards, and still the demand is very high.

The Color Correction Handbook: Professional Techniques for Video and Cinema

If you are into cinematography or video production, you might have come across terms such as “grading” or “color grading”. Color grading and correction are essential in photography when editing RAW files (DNG, NEF and the like) but also in video editing it is essential to know the basics to get the maximum out of your footage. Especially when using the hacked Panasonic GH2 or external recording devices such as the Atomos Ninja or the Blackmagic Design HyperDeck Shuttle 2 SSD Video Recorder.

The upcoming Blackmagic Design Cinema Camera includes DaVinci Resolve, which is said to be “world’s most advanced color correction software”, but you can of course also grade your footage with Adobe Premiere or Apple’s Final Cut Pro.

The Color Correction Handbook: Professional Techniques for Video and Cinema is a very good read for beginners and intermediate videographers that want to get the maximum out of their shoots in post-production. Highly recommended read!

Color Grading and getting the maximum out of video footage in post is not so hard. Here are the basics every cinematographer needs to know.

The colorist working in film and video is the individual responsible for breathing life into characters, bringing a mood into a scene, and making the final product polished and professional-looking. This craft is an art form that often takes years to perfect and many trial-and-error attempts at getting it right.

A peek inside the book is available here.

Panasonic 12-35mm GX Vario f2.8 MFT Lens for Micro Four Thirds: Possible Kit Lens for Panasonic Lumix DMC GH3

eoshd writes about the upcoming 12-35mm weather sealed lens that is Panasonic’s new top-range Lumix Zoom with a constant aperture of f2.8. While the Panasonic GH3 camera is not out yet, it is rumored to be a competitor to the current weather-sealed and in-body image stabilized Olympus OM-D (EM-5). The Olympus OM-D has the only flaw that it does not output clean HDMI, a shortcoming that the upcoming Panasonic GH3 could address (and solve) since the GH2 also outputs a clean HDMI signal and allows us to use RAW/HiRes external recording devices such as the Atomos Ninja or the Blackmagic Design HyperDeck Shuttle 2 SSD Video Recorder.

The Panasonic 12-35mm GX Vario f2.8 MFT Lens will of course also work with existing Micro Four Thirds Cameras, such as the GH2 or the OM-D, and features four aspherical elements, a 25cm minimum focus distance and Panasonic’s new nano-particle coating. Also the video-optimized image stabilizer (Power OIS) is said to be better.

Expected price is EUR 1100 (approx. 1400$). The original article is in spanish but definitely worth a read (just use google translate to get the information decrypted).

Here are some other sources from the web:
* ePhotoZine: “New Panasonic Lumix G X VARIO 12-35mm f/2.8 Lens Announced”
* dpreview: Panasonic Lumix G X Vario 12-35mm F2.8 ASPH Power OIS Preview
* dcresource: Panasonic announces F2.8, 12 – 35 mm Micro Four Thirds lens (sample photos available)

Nikon D800 vs. D800E – no real technical difference, only for different market segments

[Update] as outlined by commenter dslr4video, there are minimal differences to the two camera models, but they are minimal and can be ignored.

Falk Lumo from LumoLabs made an interesting comparison of the D800 vs the D800e: they came to the conclusion that “the differences between the two models are less than one would expect” and “with ~100% amount sharpening, the D800E should deliver comparable results with ~0.5 pixels less sharpening radius, compared to a D800. This also means that one should not refrain from sharpening when using the D800E. Just use weaker settings”.

In conclusion, the Nikon D800 and the D800E are almost the same cameras, with only a pricey difference: the Nikon D800 sells for $2999,00 while the Nikon D800E currently costs $3299,00. As Falk Lumo notes – the biggest difference is the market segment, the different Nikon models approach: while the D800 is meant for APS-C and 35mm full frame SLR crossgraders (coming from Canon, Sony, Pentax or Panasonic, etc), since those cameras already have a Bayer-AA Filter. The D800E is meant for medium format (or Leica M9) cross-graders as all those cameras have no Bayer-AA filter implemented and photographers are used to the moire that can show up on fabrics or repetitive patterns.

“The results are pretty similiar, with a bit more sarurated false colors and false color moiré in the D800E (as to be expected). But the D800 is able to show a bit of false color moiré too (a phenomenon known from the Canon 5DmkIII too).”

Please read the article for yourself on (written in english), since they really did a good job in measuring the actual sharpness differences.

Recommendation from nanofunk: get the Nikon D800 – currently there is a discount price, where it sells for $2.750 in the USA.

DSLR Rig Shoulder Mount Pad Steady Rig Stabilization System for EUR 100

DSLR Rigs go for as low as 100€ (130 US$) on ebay. But are they any good? How do they compare to expensive DSLR Shoulder Rigs and should you care?

DSLR Rig Shoulder Mount Pad Steady Rig Stabilization System for EUR 100
pictured: DSLR Rig Shoulder Mount Pad Steady Rig Stabilization System for 7D 5D Mark II Z7 from filmcity23 (international orders)

Short answer: go for the cheap Rigs! They are quite durable and you can buy another one if it breaks.

Longer answer:
The upgradeability of the cheap rigs are limited. Furthermore the materials used are also cheap, so of course, if you are a pro-shooter you might want to get the more expensive Rigs, such as the Proaim DSLR KIT-3 or the (very expensive) Redrock DSLR Cinema Bundle. If you are beginner or intermediate, you should definitely try the cheap Rigs for a little over 100€, since they are often sufficient. Stabilizing the video output and generating good footage should be your main concern – after all the rig is not visible on your footage.

Atomos presents the Ninja 2 HDMI Field Recorder with Updated Sceen 800×480 and HDMI Out, adds Avid DNxHD

Atomos Ninja 2 HDMI Raw Video DSLR Recorder - the perfect companion for the Nikon D800

Atomos released the “Ninja 2″ HDMI Recorder, following the success of the previous Atomos Ninja – featuring a much larger screen (800×480 pixels at 4.3″) and support for Avid DNxHD Codecs. Furthermore the device has HDMI Output now, which means that we can mount a Blackmagic Design HyperDeck Shuttle SSD Field Recorder to it, allowing for simultaneous RAW Video and ProRes/DNxHD 220Mbit recording. (that was a joke, why would you do that?)

The Ninja is really an awesome device. Pricing is also quite moderate, $995 USD | €795 Ex.VAT | £695 Ex.VAT is the cost for a portable DSLR recording monster. Owners of the Version 1 of the Ninja will be presented with an upgrade option soon, according to Atomos.
A recent update to the AtomOS operating system allows native 24P recording, which is supported by the Nikon D800. Nikon owners are very pleased, as outlined on some example videos on Vimeo.

Here are the news in a flash:

  • Online or Offline, Master or Back-up: 10-bit 4:2:2, 220Mbps, 2.5” HDD or SSD
  • Any HDMI or HD-SDI source: DSLRS, Decks, Switchers, PC, Mac, iPad & iPhone
  • Ready to deliver, high-capacity HDD or SSD: No more expensive memory cards!
  • 800×480 screen with 170° viewing and loop play: Focus Peaking, Zebra, False Color & Blue Only Exposure
  • Pristine Playback & Playout: SmartLog – Just Mark & Tag

Adobe Presents Creative Suite CS6 with Tons of Updates, introduces Subscription Service

Adobe officially announced the the launch of Creative Suite 6 (CS6) which can already be read about on the Adobe CS6 Website. Adobe also presented a new payment method for the usage of CS6: for $49,99 per Month, the whole Bundle of Software can be used on a subscription basis, which is significantly lower than assumed. Small project-teams and low-budget productions can benefit from this service. Updates of Premiere have some highlights such as “native DSLR and Video Camera support”, where Adobe also lists the ARRI Alexa, Red EPIC, Red Scarlet, Canon EOS C2300, as newly supported devices. Adobe After Effects finally supports Illustrator path-import. All in all, the whole Suite is said to be much faster, as the new Mercury Engine speeds up overall usage with improved GPU support.

Adobe Creative Suite CS 6 features tons of new updates and a heavily updated graphics engine.

i can haz 404, by the amazing roflcats and cat band (lolcatz music video)

Nanofunk has a new 404 theme, thanks to the awesome roflcats and cat band! Enjoy the cats (as featured on any 404 site on nanofunk now). Gladly you didn’t come here for nothing. This is the place where you can watch the awesome roflcats and band performing just for you: astrocat, floating cat, drumcat, guitar cat hero, and lots of singing and dancing cats to pleasure your 404 web fail. Thanks and good bye.

Thanks a lot for the awesome contribution!

Fullsize Nikon D800 image samples

Nikonrumors posted Nikon D800 image samples on flickr – and they actually look awesome. The fotos are different takes – from high iso to “normal” shoots, so it should be quite meaningful how the D800 keeps up in everyday work.

The only thing that keeps me from the D800 still is the size of RAW photos: 24 fotos fit on a 4GB card in RAW mode. Still, the level of detail and the overall picture quality is stunning. Hoping to get hands on one myself quite soon.

Nikon D800 (D800E) vs. 5D MK3 (MKIII): Raw Video, HDMI, Magic Lantern

Nikon D800 D800E dslr video photo photography camera raw video clean hdmi Canon 5D MK III 3 mk3 5d3 5dmk3 5dmkiii video photo cam dslr filming

The war on the DSLR front continues to evolve between the Nikon D800 and the Canon EOS 5D MKIII. The current state of information is as follows:

Canon 5D MKIII
The Canon 5D MKIII performs better in low-light and high ISO. Sadly it has no clean HDMI out, which is a real bummer. The internal codec is at 90Mbps 4:2:0, which is not much. The available video samples look good, although it could be even better with clean HDMI output – but who is to bring clean HDMI to the 5d3? There are two possible ways:

a) Magic Lantern could bring clean HDMI output to the Canon 5D MK3, if it can be hacked, which is not clear as of now. Also, it will take some time, expect at least 6months to see any usable development (if at all).

b) Canon could release a firmware update to provide clean HDMI out. We could try and contact canon to tell them, that we demand clean HDMI out. Of course, it remains totally unclear if they will ever release such an update.

Although, the Canon 5D MK3 seems to have better Video capabilities, clean detail and no moire (or at least almost no moire) – which would not be fixed by HDMI out anyway. If there is the chance to crank up the codec to 180Mbit (with a hack by Vitaly Kiselev or Magic Lantern) we would see a definite winner in the battle.

Nikon D800/D800E
The Nikon D800 performs quite well on paper, but in reality the Canon 5D MK3 performs better in low-light and high ISO. First samples of clean HDMI output and RAW Video (Apple ProRes) with the Nikon D800 are online – and they look great. Keep in mind that the Nikon D800 provides 8bit output (not 10bit), and the first RAW Video results are better than the internal codec Canon 5D MK3 Videos. Bundled with the Atomos Samurai and the Atomos h2s connect the Nikon D800 brings you high resolution 800×480 LCD (with focus peaking and zebras via latest firmware) plus 4:2:2 video. This is clearly the best setup we have as of today, maybe only topped by a D4+Samurai (c.f. mike kobal’s results with the d800).

Atomos Samurai raw video hdmi hdsdi hd sdi 10bit recorder filming d800 5dmk3Atomos Ninja HDMI video recorder dslr 10bit raw video d800 5dmk3 mk iii 3

Still, the current discussion is about comparing apples to oranges, at least from watching actual results and comparing them:

Comparing photo/stills performance (via canonrumors forum)
1. At ISO100, the Nikon D800 has noticeably superior images out of the camera, due primarily to greater detail and dynamic range.
2. At ISO6400, the Canon 5DIII has noticeably superior images out of the camera, due primarily to significantly less noise.

bobatkins notes: The bottom line is that neither the D800 nor the EOS 5D MkIII sensor is “better”. They are different. The Nikon sensor should have higher resolution which will be desirable for those making very large prints or who need to significantly crop their images. On the other hand the EOS 5D MkIII sensor will produce images with lower noise and higher dynamic range in lower light conditions where the use of higher ISO settings are desirable. For smaller prints at lower ISO settings (which is where most amateur photographers will be working most of the time), the sensor pixel count and noise characteristics won’t matter.

Comparing video performace
Fact: Video doesn’t need a high resolution sensor, it is all about the crop modes and sensor scaling, as outlined by eoshd, when we just look at the surface of the Nikon D800 vs Canon 5D MK3 debate.
BUT (as discussed on dvinfo) the Nikon D4 could be the real deal, beating both the D800 and the 5D3: It would seem to me that as a micro-budget filmmaker without access to as much lighting as one would like – the fatter pixels of the d4 would provide better low light shooting outside at night, dimly lit night interiors etc. When moving about with only a china ball and a c-stand I think I would want the sensor of the d4 on my side to maximize the lack of additional equipment. So while it seems like the d800 is better suited because of the price tag – my thoughts are that the d4 with one more crop setting than the d800 [fewer lenses], and better low light, and wireless control [small crew] that it is the d4 that will actually be the indie-filmmakers choice.

There is no clear winner to the war, and Canon could still turn around and release a firmware update that provides HDMI out. Further, the actual results of the D4 vs D800 have to be compared to crown the king of DSLR video.

In the meanwhile, it might be also worth to invest in a Canon 5D MKII still, since it is selling quite cheap those days (selling for $2,199.00 new) and can be used with RAW Video (HDMI) output with Magic Lantern Unified soon.

Canon EOS 5D MKII MK3 is here and can be pre-ordered on amazon. But: no clean HDMI makes D800(E) a strong competitor

Canon EOS 5D MKII MK3 official photo foto
The long awaited Canon EOS 5DMKIII is here, as correctly predicted by canonrumors and the best news: it can be pre-ordered on amazon. This means that we won’t only have to see if the Canon 5D MK3 will be hackable and can use Magic Lantern, it also has to face a direct competitor: the Nikon D800.

Why would anyone switch lenses and go down the Nikon Road when the new Canon EOS 5D looks so promising? Well, it has one small but serious flaw: it does not support clean HDMI (uncompressed HDMI) output.

This small fact means, that external HDMI recorders (see the RAW VIDEO comparison on nanofunk) such as the Black Magic Hyperdeck Shuttle or the Atomos Ninja will not work with the Canon EOS 5D MK3. Still, if the camera gets hacked by the Magic Lantern Project, or a firmware update gets released by Canon, the situation could change. After all, the 5D3 is a very capable camera, and in some points even superior to the Nikon D800.

What are the new features of the Canon 5D MKIII for filmers/videographers?
The new 5D3 produces 90mbit h264 files out-of-the box. This is a significant improvement over the previous 5D2. Also, the negative rolling shutter effect is reduced by half, as outlined by a japanese blog. ISO performance is almost clean at ISO 3200, and much improved at 6400 and 12,800. Aliasing and moire are reduced. There is less false detail and the codec improved a lot.

improvements roundup (via eoshd)
* 91Mbit high bit rate video support
* possible “movie crop mode” (similar to the Panasonic GH2 Extra-Tele Video Mode)
* Audio controls and on screen meters
* Clean ISO 12,800 and full resolution JPEGs


EOS 5D Mark III ISO 12800 MOVIE from SAIKA on Vimeo.

Please add your comments below. It looks like with that specs, we might not even need the 5D MKIII to be hacked, as it performs quite well out-of-the-box. Still the Nikon D800 is a worthy competitor and we have to wait for both cameras to be delivered, so we can crown the future king of DSLR Video. Until then, why not get both cameras? :)

Rode VideoMic HD Brings Serious Audio to HDSLRs: NTG3 technology, SD card and Blimp!

Thanks to photography bay I just read about the upcoming Rode VideoMic HD (not availale yet). It sounds like a dream come true: the technology used is from the Rode NTG-3 (even the NTG-2 kicks ass and is highly recommended), furthermore it has a wind and shock-protection as well as integrated SD-card recording (!).

There’s no way to know just how much of NTG-3 tehnology is going to show up inside this new VideoMic HD; however, if it’s anywhere close to the quality and isolation that it delivers, we could be in for a real treat.

* Integrated digital recorder (microSDHC)
* RF-bias, true condenser shotgun microphone (based on RØDE NTG3 technology)
* Line and Mic (mixer) inputs (with ‘plug-in’ power)
* High level headphone amplifier for monitoring
* Three-level High Pass Filter (0, 75Hz, 150Hz)
* Integrated Blimp wind protection and shock mounting
* Multi mode outputs (Dual mono/split 0db and -10db for auto safety/dual mono + 20dB)
* High frequency ‘boost’ switch for increased intelligibility at distance miking
* Utra-lightweight metal casing
* Quick release mounting system

Canon Cameras: 5D Mark III Sooner Than Later, 7D Mark II for Photokina?

canonrumors puts a date on a possible announcement of the long awaited Canon 5D MK III (MK3): announced around the end of March or early April 2012, “availability will probably happen before the summer begins in 2012. No specs were given at this time. This is a very solid [CR2]. The NAB show is April 14-19 in Las Vegas.”.

The Canon EOS 7D Mark 2, northlight-images amongst other blogs report, “will be one of the big items Canon shows at Photokina 2012 in Cologne, Germany”. Reports about the camera being APS-C are rumored, even though there is some info out there about it being APS-H. (dpreview, canonrumors)

Currently, the Canon EOS 5D MK II sells starting at $1,980.00 on Amazon US and EUR 1.679,95 on Amazon Germany. The Canon EOS 7D starts at $1,298.49 (Amazon US) and  EUR 1.229,95 (Amazon Germany). Since there were recent price drops, it is unclear if the prices will further slide down, once a new product will be introduced. Our recommendation is to get a Camera now, if you really need it, possibly refurbished. The second hand value will still be high, so it’s currently a good time to buy, although new models might be around the corner.

Canon launches the C300 cinema camera: a competitor for Red Scarlet and Arri Alexa?

Canon recently unveiled its C300 cinema camera at Hollywood’s Paramount Studios, in front of a huge crowd. Cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world – the Canon C300 aims at people that are into professional DSLR Video and want to take a step further.

It will cost somewhere in the range of $20,000. It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit’s new “top-end” EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens.

Mobius – 1080p HQ from Vincent Laforet on Vimeo.

iPhone 4S / Canon 5d MKII Side by Side Comparison

***You can download the full 1080p version of this video for a more accurate presentation.

Here’s a “fair” test between the iPhone 4S and the Canon 5D MK II. I made a little rig that allowed me to shoot both cameras at the same time side by side. All scenes are perfectly synced together so you can pause and scrutinize the frames! See photo of the makeshift rig in the photo area.

Exposure, shutter speed, frame rate and picture style were matched as close as possible between the two cameras. (I used the Zacuto Z-finder to help me adjust exposure for both iPhone and 5D)

This test shows that the tiny F2.4 lens and sensor on the iPhone are pretty nice. It even got a little depth of field!

I did not overlay the exact ISO and Stops 5D settings per shot. It was too much to keep track for this simple test. To be fair I matched 5D exposure to the iPhone so no “Cinestyle” / 24p here.

Here are the settings:

iPhone 4S

– AE.AF locked. That’s all you have!

Canon 5D MKII

– Canon 50mm 1.4
– ISO 160 ~ 640 (varied per shot to match the iPhone)
– F 7~22 (varied per shot to match the iPhone)
– Shutter 1/60th
– Auto WB
– Standard Picture Style
– 1080p 30


Fujian 35mm F1.7 CCTV TV lens +Mount for MFT m43 (Micro Four Thirds) for $48,99

A great bargain for m34 (Micro Four Thirds) users (Olympus, Panasonic, etc): the Fujian 35mm F1.7 CCTV TV lens +Mount for MFT m43 (Micro Four Thirds) which sells for $48,99 including free worldwide shipping. We just ordered two of them, so expect photo and video examples soon. In the meanwhile, you might want to take a look at some youtube example footage.

This CCTV Lens is a high quality lens with alloy casing. It is ideal for use in bars, shops, parking lots, houses and warehouse, etc. It gives you the widest field of view image avaialble with a C mount lens. This CCTV Camera Lens provides ultra clear vision for your camera. Incorporates advanced optical elements to ensure all-around sharpness and efficient light conductivity. Its iris can be manually adjusted according to available light levels.

Specifications Fujian 35mm F1.7 CCTV TV lens

Mount type: C mount
Focal length : 35mm
Iris/ Focus operation: manual
Angle of view: 13.8
Object distance: 30cm -infinite
Compatible with cameras including:
Panasonic: G1, GH1, GH2 GF1, G2, G10
Olympus: E-P1, EP-2, E-PL1 fits C Mount Movie Lens

C mount M4/3 Camera lens Adapter to EP1 EP2 GF1 GF2 GH1 GH2

With a C Mount Lens to Micro 4/3 Adapter you can use C Mount lenses on your MFT system. You can use this camera adapter ring in conjunction with the camera adapters to complete the connection to a digital camera supporting a filter thread.

Reworked Camera Lenses for Canon EOS, Nikon, Leica M, Sony NEX, Kodak and Micro Four Thirds!

The eBay reseller jieying-usa ist selling custom reworks of lenses for Micro Four Thirds,Canon EOS, Nikon, Leica M, Sony NEX, Kodak and others.

Among the lenses, a reworked Rodenstock 50mm f/0.75 for Micro Four Thirds, that fits on your camera without the need of an adapter. The lens focuses from 3ft to infinity. Wide open, images are very soft but unlike C-mount lenses the circle covers the full m43 size. Here are some flickr examples.

Rodenstock50  1

RAW Video for DSLR with Magic Lantern and Black Magic Hyperdeck Shuttle (vs. Atomos Ninja): 5D MKII, 550D, Rebels

[Update] Black Magic Hyperdeck Shuttle 2 as well as the Atomos Ninja 2 Recorder are already out. We are reviewing them shortly, as we have used both already in production. Both are capable of DNxHD as well as Apple ProRes.

SLR Film making got even more exciting: with the availability of HDMI recorders, RAW Video footage can be recorded to get the maximum out of your Canon 5D MKII or other camera compatible with Magic Lantern. Standard Firmware does not output a “clean” HDMI signal, at least not for Canon cameras; the Panasonic GH2 produces a clean HDMI output, as noted by Philip Bloom (!).

What are currently recommended HDMI field recorders?

1. Black Magic Hyperdeck Shuttle (RAW Video)

Black Magic Design Hyperdeck Shuttle

* Product information page/ manufacturer: Black Magic Design
* Discussion on the Magic Lantern User Group: hyperdeck shuttle


  • Very Cheap: ($339.99 in the USA, 299€ in Europe
  • Records UNCOMPRESSED (!) RAW Footage from HDMI Out.
  • Cons:

  • Expensive in usage: 15 minutes uncompressed (1.6 GB/s) = 180GB
  • SSD drives NOT included, so you might need to calculate in some OCZ Vertex 3 SSDs in your budget
  • No Video Monitoring on the device itself. You might need to buy an external monitor, such as the Liliput external HDMI monitor (starting at $169 in the USA and 186€ in Europe)

    2. Atomos Ninja – Portable HDMI Recorder (ProRes)
    Atomos Ninja HDMI Recorder for almost RAW Video (Apple ProRes)


  • Smaller files, since it is no real RAW footage but Apple ProRes: 6 hours ProRes 422 (HQ) (220 MB/s) (16.5 Hours with 750GB Disks)

  • Monitoring included! 4.3” diagonal, 480×270 resolution
  • Cheap usage, since Hard Drives can be used! (though, the initial price is higher:
  • Less storage space needed
  • Supports two Hard Drives or SSD-Disks.
  • Firewire 800, USB-2 and USB-3
  • Continous Battery: two power cells to guarantee uninterrupted usage


  • Apple ProRes and no real RAW footage (this can be a good thing, as you are saving tons of money and storage space)
  • No ProRes for Windows users yet; Apple users might need to get Final Cut, since Apple ProRes is included in FCP Studio

  • Conclusion:
    Unless you are super-rich and have tons of money to spend for Solid State Drives and a RAID Array, you should get the Atomos Ninja. Besides the actual device, you also get a monitoring solution and have a true portable device, that creates files usable with normal hard drives. Overall cost is much lower and there should not be a really visible difference from ProRes to RAW footage. If you are into Bokeh Porn, you might want to spend your money in the Black Magic Hyperdeck Shuttle.

    Keep in mind, there are currently some issues with HDMI out an Magic Lantern: there is a video on the 5D MKII’s 1080i out and also some discussions going on in the Magic Lantern Forums, because some processing needs to be done to get actual usable files. Actual resolutionis 12-19% less (depending how you do it) but still the results are awesome – especially in low light situations. Maybe we will get real clean HDMI out with the Canon EOS 5D MKIII.