Nikon D5200 24.1 MP CMOS Digital SLR has Clean HDMI Out, works perfectly with Atomos Ninja or Black Magic Hyperdeck Shuttle
Nikon really made it with the D5200 this time: the cheapo-camera is every DSLR-Filmers dream. Currently available for $796.95 new and around $600 used, it features clean HDMI out and an awesome color due to a sensor produced by Toshiba (the D600 and D800 feature a Sony sensor).
With the current hype around the Black Magic Cinema Camera, this one might be a gadget to ease the waiting - since i already own a D800E, i ordered the Nikon D5200 as a second camera for filming only. The APS-C sensor of the camera offers a good and affordable solution to double the available optics (crop mode of ca. 2x). I might get additional wide angle lenses to cover 48mm and 70mm with the D5200.
Miasma [...] first caught public attention with their large-scale theatrical vision “Call for Reduction! (in effigie)”, staged in summer 2012 at the former Ankerbrotfabrik in Vienna. [...] manifested as an intermedial happening with more than 70 participating artists from very diverse genres. A stunning installation provided the framework for the theatrical aspect of the performance and its realisation with various media. A number of HD cameras and the latest streaming technologies were employed to edit the images live and broadcast them online in real time. (Source: Donaufestival)
You can get more information about the show on their twitter account @miasmatotal, their facebook page or watch a trailer of their last production on youtube.
We had a short Skype interview with the group ArtisticBokeh, telling us more about the technical background and the challenge of working with extended theatre in the time of the internet and fragmented narrations. (Read the full interview inside)
Believe it or not, the Blackmagic Design - Blackmagic Cinema Camera CINECAM26KEFis currently being sold on ebay, shipping internationally.
I will keep you updated on possible ways to order the Black Magic Cinema Camera (EF as well as MFT mount), since I am also actively searching for this camera. Expect various offers on ebay and amazon (as well as on other sites) to pop up soon.
I was able to recently test the EF-Version at a local BMD-distributor store and I have to say, it is awsome. I could not test the included software bundle, but the camera handling itself was great. I will post a review video with photos and more info once I get my hands on again (which will be soon, believe me). Also, drop us an email if you have sample videos or recent information on availability!
Camera Gear Bargains in 2013: Lens Caps, Remote Controls and Lens Adapters for Panasonic, Sony, Canon, Nikon, etc.
I am a photographer and videographer, always trying to get cheap bargains for my cameras. Here is a roundup of super-cheap camera equipment and items that are shipping worldwide for free. Since I am on a budget and always trying to find cheap options, I am sharing my latest findings with you. (thanks to dslr4video for most of the pointers)
I am buying lots of second-hand m42, MFT, Nikon F-Mount and Canon lenses, and most of them come without lens caps. Still Lens Caps, Body Caps, rear and front plates for your optics (also for Sony, Olympus, Panansonic, Leica, etc.) can be as low as $0.09 including shipping, if you know where to search for it: Lens Caps from Hong Kong with free worldwide shipping. If you are getting packs of 5 or 10, it's even cheaper. There are "branded" ones (Canon, Nikon, etc.) as well as generic ones. Make sure to select the proper diameter (52mm, 55mm, 62mm, 75mm, etc.)
Wireless Remote Controls for your DSLR camera can also be a bargain: the RC-6 Remote Control For Canon EOS 5DII 7D 60D 500D 550D 600D is selling for as low as $1.41 (free shipping), while the "Nikon ML-L3 (for 1 J2, 1 V2, D40, D40x, D50, D60, D70s, D80, D90, D600, D3000, D3200, D5200, F65, F75, Coolpix P7000, P7100) already sells for $1.25 (free shipping). There are wired remote controls as well (if you prefer that), which are strangely a little more expensive. Batteries are included in all of those cheap items, I used already two different branded remote controls and cannot complain.
Gorillapad Knockoffs for $2.50
I don't know if you are familiar with the Gorilla Pod - "a bendable, flexible camera tripod that lets photographers attach their digital camera to any surface. The Gorillapod can be wrapped around a railing at a theme park, twisted onto a tree branch, looped around a baby carriage, hung from a doorknob, or perched on a rock during a hike. The possibilities are endless." There are different sizes of the Gorillapod, Knockoffs are selling for as cheap as $2.50 including worldwide shipping. I already ordered 5 of them, since they are the perfect gift for amateur and hobby photographers and filmers. Recommended!
Single or Double Axis Bubble Spirit Level Gradienter on Camera Hot Shoe
This is certainly a lot of fun (and useful): I recently dropped my Hot-Shoe Cap and wanted to order a new one (which is basically like 0.10$), but then I stumbled upon those even better replacements for my original Hot-Shoe "saver": a level gradient (water bubble leveller) for any Camera that actually has a Hot-Shoe. There are single-level ones, which actually have the same size than the original plastic, and dual-axis ones, which are a bit higher. Totally recommended and dead-cheap: they are selling for around $1 including free worldwide shipping.
Lens Adapters: Canon to MFT, Nikon to Micro Four Thirds, Canon to Panasonic, etc.
Lens Adapters can be very expensive, professional ones such as the Redrock Micro M2 Cinema Lens Adapter for Nikon Lenses goes for $199, there are also very cheap ones which are selling for around $14:
* Leica R Lens to Micro 4/3 M4/3 MFT Adapter Panasonic G2 G3 G10 GF2 GF1 GH1 GH2
* M42 Lens To Micro 4/3 MFT G2 G10 GF1 E-P2 E-P1
* Micro Four Thirds 4/3 M43 lens to Sony E NEX-5 NEX-3 NEX-C3 NEX-5N VG-10 or Olympus Adapter
All these Items are with free international shipping, even when shipping to Europe or Australia. The cheapest Lens-Adapter I could find (that I needed, there might be even cheaper ones out there) is the C mount to Micro Four-Thirds Adapter - M4/3 M43 Thin! N172 that sells for around $3. I already ordered lots of those adapters and generally I am satisfied. For professional use (and if you can afford it), the Novoflex Adapters are worth checking out. While they are much more expensive (up to $200 or more), they offer easy and fast lens changing and have perfectly adjusted focus-to-infinity.
There are of course a lot more camera and video deals out there. Let us know via email (audioreservoir_gmail) if you have any recommendations for us.
According to Anandtech the 2880 x 1800 Pixel HiDPI Display of the new MacBook Pro Retina has to deal with so much pixels, the GPU cannot deal with that amount of information anymore. This results in slow performance and a jumpy interface (scrolling and zooming is very slow). Previous models of the MacBook Pro could display between 46-60 frames per second, while the MacBook Pro Retina is only capable of displaying 18-24fps. Mac OSX 10.8 Mountain Lion should improve this a little - but still under 30fps. According to Anand, the solution will be the upcoming Haswell and Broadwell chipsets from Intel, that will be released in 2013.
To quantify exactly what I was seeing I measured frame rate while scrolling as quickly as possible through my Facebook news feed in Safari on the rMBP as well as my 2011 15-inch High Res MacBook Pro. While last year’s MBP delivered anywhere from 46 - 60 fps during this test, the rMBP hovered around 20 fps (18 - 24 fps was the typical range). Remember at 2880 x 1800 there are simply more pixels to push and more work to be done by both the CPU and the GPU. It’s even worse in those applications that have higher quality assets: the CPU now has to decode images at 4x the resolution of what it’s used to. Future CPUs will take this added workload into account, but it’ll take time to get there.
For early adopters and for posers, the new MacBook Pro Retina might be a fit. For serious people using their computers to actually get work done, it might be better to get a MacBook Pro from the previous Generation, since the price drops are significant: the Apple MacBook Air MC968LL/A 11.6-Inch currently sells for $829 new (refurbished from $789), the Apple MacBook Pro MC700LL/A 13.3-Inch sells for $1050 new ($900 refurbished).
The Apple MacBook Pro MC975LL/A 15.4-Inch Laptop with Retina Display (NEWEST VERSION) starts at $2,089.99.
DxOMark is the trusted industry standard for camera and lens independent image quality measurements and ratings - DxO Labs is also behind the software DxO Optics Pro, a "Photo Enhancing Software for Mac and Windows", which is said to have the best RAW converters out there, compared to Adobe Lightroom and Apple Aperture. Long story short, the latest Nikon Cameras are the top-leaders of the DxOMark scoreboard - with the Nikon D800E scoring 96 points and the Nikon D800 scoring 95 points.
The Nikon D800E as well as the Nikon D800 are in stock on amazon marketplace, so make sure to get either model. As previously reported on nanofunk - the differences of the D800 to the D800E are minor - but both models are highly recommendable cameras. I just ordered myself a D800E, expect some in-depth experience postings here soon.
According to Nikon USA and to various sellers, the next bunch of D800 cameras will be released by end of the month, since the production volume of the cameras (D800 and D800E) is 30,000 units per month. I am also on various waiting lists for a D800E (which is actually even harder to get hands on, since it is produced in smaller quantities), such as Amazon and B&H Photography - and I can recommend you do the same, if you are really interested in getting any version of the D800 camera.
In Europe (UK and Mainland), there are some sellers that actually have the Nikon D800 in stock, although for a slightly higher price than Nikon's recommended price tag, but what about the USA? I tweeted yesterday, that the Nikon D800 is available for $2750 in the US, but the stock of this particular shop seems to have been completely sold in only 3 hours. There are some people selling their factory sealed D800 cameras in the USA, so if you really want one, you have to pay the price of some few extra bucks.
But according to big resellers and to Nikon, the next batch of units will be available soon in Europe and in the USA: end of the month/beginning of next month, another big amount of preorders will be fulfilled.
"With the current 1,600 workers, the factory is producing one unit of camera per minute on a daytime shift with each unit of the D800 variant produced every four hours and the D4 variant every five hours." (source: nikonrumors)
But this is not the whole deal: according to techradar, "Some components for camera production are sourced from overseas factories including Nikon China, with around 1600 component parts required to produce both the D800 and D4."
All this hype and lots of work go into the D800, which already received the Camera GP2012 Camera of the Year and Readers Awards, and still the demand is very high.
If you are into cinematography or video production, you might have come across terms such as "grading" or "color grading". Color grading and correction are essential in photography when editing RAW files (DNG, NEF and the like) but also in video editing it is essential to know the basics to get the maximum out of your footage. Especially when using the hacked Panasonic GH2 or external recording devices such as the Atomos Ninja or the Blackmagic Design HyperDeck Shuttle 2 SSD Video Recorder.
The upcoming Blackmagic Design Cinema Camera includes DaVinci Resolve, which is said to be "world's most advanced color correction software", but you can of course also grade your footage with Adobe Premiere or Apple's Final Cut Pro.
The Color Correction Handbook: Professional Techniques for Video and Cinema is a very good read for beginners and intermediate videographers that want to get the maximum out of their shoots in post-production. Highly recommended read!
The colorist working in film and video is the individual responsible for breathing life into characters, bringing a mood into a scene, and making the final product polished and professional-looking. This craft is an art form that often takes years to perfect and many trial-and-error attempts at getting it right.
A peek inside the book is available here.
Panasonic 12-35mm GX Vario f2.8 MFT Lens for Micro Four Thirds: Possible Kit Lens for Panasonic Lumix DMC GH3
eoshd writes about the upcoming 12-35mm weather sealed lens that is Panasonic's new top-range Lumix Zoom with a constant aperture of f2.8. While the Panasonic GH3 camera is not out yet, it is rumored to be a competitor to the current weather-sealed and in-body image stabilized Olympus OM-D (EM-5). The Olympus OM-D has the only flaw that it does not output clean HDMI, a shortcoming that the upcoming Panasonic GH3 could address (and solve) since the GH2 also outputs a clean HDMI signal and allows us to use RAW/HiRes external recording devices such as the Atomos Ninja or the Blackmagic Design HyperDeck Shuttle 2 SSD Video Recorder.
The Panasonic 12-35mm GX Vario f2.8 MFT Lens will of course also work with existing Micro Four Thirds Cameras, such as the GH2 or the OM-D, and features four aspherical elements, a 25cm minimum focus distance and Panasonic’s new nano-particle coating. Also the video-optimized image stabilizer (Power OIS) is said to be better.
Expected price is EUR 1100 (approx. 1400$). The original article is in spanish but definitely worth a read (just use google translate to get the information decrypted).
Here are some other sources from the web:
* ePhotoZine: "New Panasonic Lumix G X VARIO 12-35mm f/2.8 Lens Announced"
* dpreview: Panasonic Lumix G X Vario 12-35mm F2.8 ASPH Power OIS Preview
* dcresource: Panasonic announces F2.8, 12 - 35 mm Micro Four Thirds lens (sample photos available)
[Update] as outlined by commenter dslr4video, there are minimal differences to the two camera models, but they are minimal and can be ignored.
Falk Lumo from LumoLabs made an interesting comparison of the D800 vs the D800e: they came to the conclusion that "the differences between the two models are less than one would expect" and "with ~100% amount sharpening, the D800E should deliver comparable results with ~0.5 pixels less sharpening radius, compared to a D800. This also means that one should not refrain from sharpening when using the D800E. Just use weaker settings".
In conclusion, the Nikon D800 and the D800E are almost the same cameras, with only a pricey difference: the Nikon D800 sells for $2999,00 while the Nikon D800E currently costs $3299,00. As Falk Lumo notes - the biggest difference is the market segment, the different Nikon models approach: while the D800 is meant for APS-C and 35mm full frame SLR crossgraders (coming from Canon, Sony, Pentax or Panasonic, etc), since those cameras already have a Bayer-AA Filter. The D800E is meant for medium format (or Leica M9) cross-graders as all those cameras have no Bayer-AA filter implemented and photographers are used to the moire that can show up on fabrics or repetitive patterns.
"The results are pretty similiar, with a bit more sarurated false colors and false color moiré in the D800E (as to be expected). But the D800 is able to show a bit of false color moiré too (a phenomenon known from the Canon 5DmkIII too)."
Please read the article for yourself on falklumo.blogspot.de (written in english), since they really did a good job in measuring the actual sharpness differences.
Today I want to give a recommendation for an affordable HDMI monitor for DSLR Shooters and videographers that need a bigger preview screen; owners of the Panasonic GH2 or the Canon EOS 5D will know what I am talking about: when you are shooting video, you need to have the biggest preview possible to ensure perfect focus - if you need extras such as zebra and focus peaking, you will definitely like the LILLIPUT 5D-II. Best of all: the monitor is a total bargain at $196 and includes battery adapter as well as a power supply.
Don't be distracted by the name: the LILLIPUT 5D-II was built for the Canon EOS 5D MKII but can be used with any camera that provides HDMI output. That includes the Canon EOS 5DMKIII (5D MK3) as well as Panasonic GH/GF/G and the Nikon D800, among other cameras such as Sony of course.
Screen size (diagonal): 7"
Aspect ratio: 16:9
Resolution (pixels) 1024x600 (native), 1920×1080 (maximum)
Pixel pitch (mm) 0.135×0.135
Viewing angle (degrees) 150º x, 130º y
Brightness (cd/m²): 250
Contrast ratio: 800:1
LCD backlight: LED
Video inputs/outputs: HDMI
The best thing about the package is the price tag:
Adobe just recently released their Creative Suite CS6 - which can be downloaded already. The Trial changed from being authorized online, so no trial-prolonging anymore. But since the pricing of Adobe CS6 Suite changed so dramatically, it might be not even needed anymore: the whole Creative Suite 6 Master Collection can be "rented" for $49.90 per month.
You can read our initial posting on Adobe CS6 - just judging from a short review, the speed increase from version 5.5 is dramatically. All the apps are significantly faster, especially Photoshop and After Effects.
pictured: DSLR Rig Shoulder Mount Pad Steady Rig Stabilization System for 7D 5D Mark II Z7 from filmcity23 (international orders)
Short answer: go for the cheap Rigs! They are quite durable and you can buy another one if it breaks.
The upgradeability of the cheap rigs are limited. Furthermore the materials used are also cheap, so of course, if you are a pro-shooter you might want to get the more expensive Rigs, such as the Proaim DSLR KIT-3 or the (very expensive) Redrock DSLR Cinema Bundle. If you are beginner or intermediate, you should definitely try the cheap Rigs for a little over 100€, since they are often sufficient. Stabilizing the video output and generating good footage should be your main concern - after all the rig is not visible on your footage.
Atomos presents the Ninja 2 HDMI Field Recorder with Updated Sceen 800×480 and HDMI Out, adds Avid DNxHD
Atomos released the "Ninja 2" HDMI Recorder, following the success of the previous Atomos Ninja - featuring a much larger screen (800x480 pixels at 4.3") and support for Avid DNxHD Codecs. Furthermore the device has HDMI Output now, which means that we can mount a Blackmagic Design HyperDeck Shuttle SSD Field Recorder to it, allowing for simultaneous RAW Video and ProRes/DNxHD 220Mbit recording. (that was a joke, why would you do that?)
The Ninja is really an awesome device. Pricing is also quite moderate, $995 USD | €795 Ex.VAT | £695 Ex.VAT is the cost for a portable DSLR recording monster. Owners of the Version 1 of the Ninja will be presented with an upgrade option soon, according to Atomos.
A recent update to the AtomOS operating system allows native 24P recording, which is supported by the Nikon D800. Nikon owners are very pleased, as outlined on some example videos on Vimeo.
Here are the news in a flash:
- Online or Offline, Master or Back-up: 10-bit 4:2:2, 220Mbps, 2.5” HDD or SSD
- Any HDMI or HD-SDI source: DSLRS, Decks, Switchers, PC, Mac, iPad & iPhone
- Ready to deliver, high-capacity HDD or SSD: No more expensive memory cards!
- 800x480 screen with 170° viewing and loop play: Focus Peaking, Zebra, False Color & Blue Only Exposure
- Pristine Playback & Playout: SmartLog - Just Mark & Tag
Adobe officially announced the the launch of Creative Suite 6 (CS6) which can already be read about on the Adobe CS6 Website. Adobe also presented a new payment method for the usage of CS6: for $49,99 per Month, the whole Bundle of Software can be used on a subscription basis, which is significantly lower than assumed. Small project-teams and low-budget productions can benefit from this service. Updates of Premiere have some highlights such as "native DSLR and Video Camera support", where Adobe also lists the ARRI Alexa, Red EPIC, Red Scarlet, Canon EOS C2300, as newly supported devices. Adobe After Effects finally supports Illustrator path-import. All in all, the whole Suite is said to be much faster, as the new Mercury Engine speeds up overall usage with improved GPU support.
A Guest Blogger on NikonRumors points out, that lots of criticism regarding the Nikon D800 DSLR Camera is because of lack of technical knowledge.
24 X 35.9mm sensor hosting 36.3 mega pixels
Sensor is 861.6mm squared
Pixel Pitch is 4.88 microns
Nikon D800 in DX shooting mode
16 X 24 sensor hosting 15.4 mega pixels
Sensor used is 384mm squared
Pixel Pitch is 4.88 microns
The Nikon D800 has the largest pixels when compared to the Nikon D7000, the Canon 7D, the Olympus EP-3 and the Olympus OM-D E-M5. According to a commenter on said topic, the Canon 5D MkIII (22.3 Mpx) with it’s full sensor gives a close measure to that size of pixel. Knowing that the full sensor size is 36 x 24 mm and the ratio is 3:2, [...] a calculation gives a pixel pitch approx 6.22 micron.
The Nikon D800 can be pre-ordered for $2999,00 - the Canon EOS 5D MKIII already ships for $3499,00. Nikon D800 second hand price currently rises and is already more than pre-ordering a brand new Camera: current bids go as high as $3.800,00.
Nanofunk has a new 404 theme, thanks to the awesome roflcats and cat band! Enjoy the cats (as featured on any 404 site on nanofunk now). Gladly you didn't come here for nothing. This is the place where you can watch the awesome roflcats and band performing just for you: astrocat, floating cat, drumcat, guitar cat hero, and lots of singing and dancing cats to pleasure your 404 web fail. Thanks and good bye.
Thanks a lot roflcats.net for the awesome contribution!
Nikonrumors posted Nikon D800 image samples on flickr - and they actually look awesome. The fotos are different takes - from high iso to "normal" shoots, so it should be quite meaningful how the D800 keeps up in everyday work.
The only thing that keeps me from the D800 still is the size of RAW photos: 24 fotos fit on a 4GB card in RAW mode. Still, the level of detail and the overall picture quality is stunning. Hoping to get hands on one myself quite soon.
Canon 5D MKIII
The Canon 5D MKIII performs better in low-light and high ISO. Sadly it has no clean HDMI out, which is a real bummer. The internal codec is at 90Mbps 4:2:0, which is not much. The available video samples look good, although it could be even better with clean HDMI output - but who is to bring clean HDMI to the 5d3? There are two possible ways:
a) Magic Lantern could bring clean HDMI output to the Canon 5D MK3, if it can be hacked, which is not clear as of now. Also, it will take some time, expect at least 6months to see any usable development (if at all).
b) Canon could release a firmware update to provide clean HDMI out. We could try and contact canon to tell them, that we demand clean HDMI out. Of course, it remains totally unclear if they will ever release such an update.
Although, the Canon 5D MK3 seems to have better Video capabilities, clean detail and no moire (or at least almost no moire) - which would not be fixed by HDMI out anyway. If there is the chance to crank up the codec to 180Mbit (with a hack by Vitaly Kiselev or Magic Lantern) we would see a definite winner in the battle.
The Nikon D800 performs quite well on paper, but in reality the Canon 5D MK3 performs better in low-light and high ISO. First samples of clean HDMI output and RAW Video (Apple ProRes) with the Nikon D800 are online - and they look great. Keep in mind that the Nikon D800 provides 8bit output (not 10bit), and the first RAW Video results are better than the internal codec Canon 5D MK3 Videos. Bundled with the Atomos Samurai and the Atomos h2s connect the Nikon D800 brings you high resolution 800×480 LCD (with focus peaking and zebras via latest firmware) plus 4:2:2 video. This is clearly the best setup we have as of today, maybe only topped by a D4+Samurai (c.f. mike kobal's results with the d800).
Still, the current discussion is about comparing apples to oranges, at least from watching actual results and comparing them:
Comparing photo/stills performance (via canonrumors forum)
1. At ISO100, the Nikon D800 has noticeably superior images out of the camera, due primarily to greater detail and dynamic range.
2. At ISO6400, the Canon 5DIII has noticeably superior images out of the camera, due primarily to significantly less noise.
bobatkins notes: The bottom line is that neither the D800 nor the EOS 5D MkIII sensor is "better". They are different. The Nikon sensor should have higher resolution which will be desirable for those making very large prints or who need to significantly crop their images. On the other hand the EOS 5D MkIII sensor will produce images with lower noise and higher dynamic range in lower light conditions where the use of higher ISO settings are desirable. For smaller prints at lower ISO settings (which is where most amateur photographers will be working most of the time), the sensor pixel count and noise characteristics won't matter.
Comparing video performace
Fact: Video doesn't need a high resolution sensor, it is all about the crop modes and sensor scaling, as outlined by eoshd, when we just look at the surface of the Nikon D800 vs Canon 5D MK3 debate.
BUT (as discussed on dvinfo) the Nikon D4 could be the real deal, beating both the D800 and the 5D3: It would seem to me that as a micro-budget filmmaker without access to as much lighting as one would like - the fatter pixels of the d4 would provide better low light shooting outside at night, dimly lit night interiors etc. When moving about with only a china ball and a c-stand I think I would want the sensor of the d4 on my side to maximize the lack of additional equipment. So while it seems like the d800 is better suited because of the price tag - my thoughts are that the d4 with one more crop setting than the d800 [fewer lenses], and better low light, and wireless control [small crew] that it is the d4 that will actually be the indie-filmmakers choice.
There is no clear winner to the war, and Canon could still turn around and release a firmware update that provides HDMI out. Further, the actual results of the D4 vs D800 have to be compared to crown the king of DSLR video.
In the meanwhile, it might be also worth to invest in a Canon 5D MKII still, since it is selling quite cheap those days (selling for $2,199.00 new) and can be used with RAW Video (HDMI) output with Magic Lantern Unified soon.
The official Manual for the Canon 5D MKIII has surfaced. (thanks planet5d for hosting the file)
Also downloadable: Canon EOS 5D Mark III Pocket Guide
Sony unveiled the Sony Alpha SLT-A57K 16.1 MP Exmor DSLR HD Video Camera with a CMOS Sensor, Translucent Mirror Technology, 3D Sweep Panorama and 18-55mm Zoom Lens. The midrange d-SLR features a 16-megapixel, APS-C-sized sensor and is positioned to compete with Canon's EOS Rebel T3i and the Nikon's D5100. It can be pre-ordered on amazon already, for a price of $699.
Sony has announced the SLT-A57, a replacement for the original A55 fixed-mirror, electronic viewfinder DSLR. The A57 still features a 16MP sensor and LCD viewfinder but incorporates them into essentially the same body as the more expensive A65. Use of the latest Bionz processor means the A57 offers a wider-than-ever selection of photographic features and image processing modes. There's also an optional HVL-LE1 video-lighting LED panel.
16.1MP CMOS sensor
Latest Bionz processor
Larger, FM500H battery (same as A65 and A77)
Auto ISO 100-3200
1,440,000 dot LCD electronic viewfinder
920,000 dot bottom-hinged rear LCD
10 frame per second continuous shooting mode with AF (12fps at 8.4MP crop)
Picture Effects processing options
Clear View Zoom up-sizing digital zoom
Peaking manual focus guide overlay
1080p AVCHD 2.0 movies at 60 or 24 fps (50 or 25 in Europe)
Sadly, neither the Atomos Ninja 10-Bit Uncompressed to Apple ProRes Field Recorder nor the Black Magic HyperDeck Shuttle Raw Video HDMI Recorder supports 50frames and 60frames in Full-HD (1080p), so we are limited to the internal recordings on the camera. The Sony Alpha SLT-A57 supports AVCHD 2, so the video output should be decent. We are looking forward to example videos and will keep you posted on updates.
Nikonrumors just posted the first Nikon D4 unboxing video.
The Canon EOS 5D MKIII looks good on paper: 91MB/s h264 codec, less moire and antialiasing, better low-light performance. Here are some example videos from the web that showcase the new and upcoming DSLR video beast from Canon. (thanks to dslr4video)
Canon 5D3 Video Sample with EF Lenses
Canon 5D Mark III first sample short movie, Canon 5D MK III, 50mm f1.4
Canon EOS 5D Mark III 720P SHOTS (NO COLOR CORRECTION)
The Opteka SteadyVid PRO Video Stabilizer System looks very promising and also got some recent reviews (see the unboxing video below). For a steadycam tool it it very cheap - especially when filming with the Panasonic GH2 or soon hopefully the D800 or 5D3 this will be my tool of choice: just ordered myself one. Here is the Opteka SteadyVid Pro on Amazon.com.
The Opteka SteadyVid PROis a video stabilizing system designed to reduce shake and stabilize video on cameras and camcorders weighing up to 5 lbs (2.26kg). The SteadyVid PRO features aluminum construction, adjustable mounting plate, comfort grip handle, super-smooth gimbal, sprit level and includes 2 removable weights in addition to the main counterweight.
* Supports up to 5 lbs (2.26kg)
* Adjustable mounting plate for on the fly precise balancing
* Comfort grip handle
* Super smooth gimbal for accurate motion
* Spirit Level
* Includes 2 add-on weights in addition to the main counterweight
Canon EOS 5D MKII MK3 is here and can be pre-ordered on amazon. But: no clean HDMI makes D800(E) a strong competitor
The long awaited Canon EOS 5DMKIII is here, as correctly predicted by canonrumors and the best news: it can be pre-ordered on amazon. This means that we won't only have to see if the Canon 5D MK3 will be hackable and can use Magic Lantern, it also has to face a direct competitor: the Nikon D800.
Why would anyone switch lenses and go down the Nikon Road when the new Canon EOS 5D looks so promising? Well, it has one small but serious flaw: it does not support clean HDMI (uncompressed HDMI) output.
This small fact means, that external HDMI recorders (see the RAW VIDEO comparison on nanofunk) such as the Black Magic Hyperdeck Shuttle or the Atomos Ninja will not work with the Canon EOS 5D MK3. Still, if the camera gets hacked by the Magic Lantern Project, or a firmware update gets released by Canon, the situation could change. After all, the 5D3 is a very capable camera, and in some points even superior to the Nikon D800.
What are the new features of the Canon 5D MKIII for filmers/videographers?
The new 5D3 produces 90mbit h264 files out-of-the box. This is a significant improvement over the previous 5D2. Also, the negative rolling shutter effect is reduced by half, as outlined by a japanese blog. ISO performance is almost clean at ISO 3200, and much improved at 6400 and 12,800. Aliasing and moire are reduced. There is less false detail and the codec improved a lot.
improvements roundup (via eoshd)
* 91Mbit high bit rate video support
* possible "movie crop mode" (similar to the Panasonic GH2 Extra-Tele Video Mode)
* Audio controls and on screen meters
* Clean ISO 12,800 and full resolution JPEGs
EOS 5D Mark III ISO 12800 MOVIE
Please add your comments below. It looks like with that specs, we might not even need the 5D MKIII to be hacked, as it performs quite well out-of-the-box. Still the Nikon D800 is a worthy competitor and we have to wait for both cameras to be delivered, so we can crown the future king of DSLR Video. Until then, why not get both cameras? :)
[Update 2012-3-11] The Canon EOS 5D MKIII (MK3) can be pre-ordered at Amazon.com. Also, the Canon EOS 5D MKII (MK2) is currently selling for 1.599€ as B-Ware on Amazon Germany.
After years of waiting it finally happened: Canon will present the 5D MKIII in the upcoming days. Canonrumors reported, the camera will be announced Friday, March 2, 2012.
The Camera will be 22megapixels qnd feature an improved auto focus system with 61 points AF. 5D mark 3 also will have 100% viewfinder coverage, slightly larger LCD screen and dual CF/SD card slot. This camera is targeted for professionals or enthusiasts who want a lighter and more affordable cameras.
Dual CF/SD Card Slots
Price: Around $3500 USD
The release of the Canon 5D MKIII might bring down the price of the Canon EOS 5D MKII which is still at 2399$ in the US and EUR 1.756,42 in Europe. I will post more information as it becomes available.
[Update] the Canon EOS 5D MKIII has been announced and can be pre-ordered at Amazon.com. Also, the Canon EOS 5D MKII (MK2) is currently selling for 1.599€ as B-Ware on Amazon Germany.
According to various sources, the long awaited successor to the Canon 5D MKII (MK2) will be announced in the next days. Canonrumors reports an "announcement on February 27 or 28, 2012 (depending where you are on earth)".
* 61pt AF
* 100% VF
* 3.2″ LCD
* Dual CF/SD Card Slots
* Price: Around $3500 USD
The picture below was taken by Stephen Oachs when he spotted a Japanese photographer field testing the mystery camera in Kenya: the photographer explained he was taking a new 200-400mm lens with a built-in teleconverter for a test-drive, but the camera body also looked unfamiliar. Design changes seem to be:
- No popup flash
- Joystick on the battery grip
- Screen appears wider (although it could be distortion)
- New button layouts
- New Scroll wheel
The full-frame 5D3 is expected to be GPS enabled and feature eye control auto focus. A sensor resolution in the 22 megapixel range along with shooting at 6.9 frames per second and 61 auto focus points have also been reported. Canon recently replaced both the 1D Mark IV and 1Ds Mark III models with the EOS-1D X digital SLR.
Once the 5D MKIII or the 5D X is announced, we can expect it to show up at amazon.com so we can post preorders. The same can be seen with the Nikon D800, which can be preordered on amazon germany and amazon UK.
Thanks to photography bay I just read about the upcoming Rode VideoMic HD (not availale yet). It sounds like a dream come true: the technology used is from the Rode NTG-3 (even the NTG-2 kicks ass and is highly recommended), furthermore it has a wind and shock-protection as well as integrated SD-card recording (!).
There’s no way to know just how much of NTG-3 tehnology is going to show up inside this new VideoMic HD; however, if it’s anywhere close to the quality and isolation that it delivers, we could be in for a real treat.
* Integrated digital recorder (microSDHC)
* RF-bias, true condenser shotgun microphone (based on RØDE NTG3 technology)
* Line and Mic (mixer) inputs (with ‘plug-in’ power)
* High level headphone amplifier for monitoring
* Three-level High Pass Filter (0, 75Hz, 150Hz)
* Integrated Blimp wind protection and shock mounting
* Multi mode outputs (Dual mono/split 0db and -10db for auto safety/dual mono + 20dB)
* High frequency ‘boost’ switch for increased intelligibility at distance miking
* Utra-lightweight metal casing
* Quick release mounting system
The sensor sizes and resolution for digital video and film increase, but what displays for editing can be used when exceeding the full HD (1920x1080) resolution? Here are some opinions and examples.
1920x1080 Full HD (comparable to 2K)
For the penny saver: you could use a Full-HD LCD Television (LED) with HDMI to monitor your edits. You can get them starting at $600 via Amazon US (starting at around 500€ in Europe). Since you might produce for TV or youtube anyway, this might be the best way to go, since it is also a cheap solution.
If you need to have a higher resolution (~2.5K 2560 x 1440) the Dell UltraSharp U2711 27-inch might be the Monitor you are searching for.
3K Footage (e.g. from the RED Scarlet-X)
There is a 22.2" LCD Monitor with the resolution of 3480 x 2400 pixels - the Viewsonic VP2290B-2 22.2" and it's twin: the IBM T221. That's 9.2 Megapixels (!). The Viewsonic VP2290B-2 is available as Refurbished for $3.500 on Amazon, the IBM T221 is available used for $1.675.
You might still be lucky and get a bargain via eBay, though:
4K Footage (e.g. from RED Scarlet, RED Epic, Arri Alexa, etc.)
The EIZO DuraVision FDH3601 with a 4096 x 2160 resolution (2160p) sells for around 36.000$. You might be cheaper off with a 4K Beamer (Projector).
While the Sony VW1000ES 4K Beamer sells for around 28.000USD, the Christie Mirage S+4K 3D DLP Projector with 5000 Lumen sells used for $5,980.00 on Amazon. Still, the question is if you care about a second hand beamer: if you own 4K production equipment, you most likely have the moolah to get yourself a brand spanking new 4K projector as well.
5K Footage and above, up to 8K (e.g. from 5K RED Epic or 2x RED Epic)
If you want to go all way up to next-level 8K, you can get the recently announced 85 inch 8K Monitor. Make sure to already start saving some bucks, though.
Strangely, the trend of the past years seems to be in decreasing the pixel resolution on the displays (since there are mostly mobile screens deployed). We can expect a pixel bump in 2012 though, since the upcoming iPad 3 (and it is said also MacBook Air and MacBook Pro) will most possibly have Retina Screens with 2880x1800 pixel resolution (source: ArsTechnica).
Recommended Reading: make sure to read "The Truth About 2K, 4K and The Future of Pixels" for some background information on pixels and sensors.
Magic Lantern, the alternative firmware for Canon cameras is currently running on 550D/T2i, 60D, 600D/T3i, 500D/T1i, 50D 5D Mark II and 1100D. The Unfied Version is not running on the 5D MKII yet (although you can get early access by donating via paypal) - but the long-term plan is "merging the AJ 5.x firmware with the unified one currently running on smaller cameras". This is good news indeed (see the HDR-Video option of ML Unified). You can also read the review of ML Unified on EOSHD.
here is out only wanted feature:
* more work on HDMI output for the 5DMKII so it is fully usable with the Atomos Ninja
You can support the development by sending them a small donation: http://goo.gl/gvD8Q. Here is the original sendout from the magic lantern user group:
Following the small, but positive feedback from this thread [ http://bit.ly/ml-unified-5D2 ], I'm glad to announce the next long-term direction of Magic Lantern: merging the AJ 5.x firmware with the unified one currently running on smaller cameras.
I need your help. As explained in the previous post, a good port (one suitable for paid jobs) requires me having a camera for testing. On 550D/60D ports, crashes are almost non-existent, audio meters are calibrated, HDMI monitors are fully usable and so on. So, if you like this idea, you may help me buy a 5D2 by:
- a small donation (you don't need a PayPal account for this): http://goo.gl/gvD8Q
- or by spreading the word, since right now there are not many users familiar with both ML versions
Feature-wise: I'd like to ask the users who have tried both AJ and Unified ML (especially those using both versions in a regular fashion) to comment on this. Main question: what's the best of both worlds? What do you like better in AJ 5.x and what do you like better in Unified? Big thanks to all ML community for making it possible!
canonrumors puts a date on a possible announcement of the long awaited Canon 5D MK III (MK3): announced around the end of March or early April 2012, "availability will probably happen before the summer begins in 2012. No specs were given at this time. This is a very solid [CR2]. The NAB show is April 14-19 in Las Vegas.".
The Canon EOS 7D Mark 2, northlight-images amongst other blogs report, "will be one of the big items Canon shows at Photokina 2012 in Cologne, Germany". Reports about the camera being APS-C are rumored, even though there is some info out there about it being APS-H. (dpreview, canonrumors)
Currently, the Canon EOS 5D MK II sells starting at $1,980.00 on Amazon US and EUR 1.679,95 on Amazon Germany. The Canon EOS 7D starts at $1,298.49 (Amazon US) and EUR 1.229,95 (Amazon Germany). Since there were recent price drops, it is unclear if the prices will further slide down, once a new product will be introduced. Our recommendation is to get a Camera now, if you really need it, possibly refurbished. The second hand value will still be high, so it's currently a good time to buy, although new models might be around the corner.
Magic Lantern Unified looks promising: High Dynamic Range VIDEO for Canon cameras:
============== UPDATE ================
available for download now!
Demonstration of the new and free High Dynamic Range VIDEO feature for control over ultra contrast situations.
Discussion, workflow, RAW footage, FAQ:
Magic Lantern is a custom firmware add-on for Canon dSLR cameras. It is not a hack, or a modified firmware, but it runs alongside Canon's own firmware, booting from the card every time you turn the camera on. The only modification to the original firmware is the ability to boot software from the card.
HDR Video: what does it mean? It does not output pre-processed HDR video from the camera, rather it blends the alternative high ISO / low ISO frames together in post (see this discussion thread at Vimeo). There is of course a difference if you use two Canon 5D MKII for generating a HDR movie (as this guy did) compared to this "hack", although the development of Magic Lantern continues to impress!
Keep on rocking! We can't await clean HDMI output for the 5DMKII to use it with the Atomos Ninja (if this hack is possible at all...)
DigiTimes reports that Intel has notified partners that the company will "fully release" its Thunderbolt technology (previously known as "Lightpeak") in April 2012. Intel is reportedly preparing to launch Thunderbolt-supported motherboards, notebooks and desktop PCs at that time, other mainboard suppliers such as Gigabyte and Asus will follow.
Intel and Apple originally partnered on the new technology which has become standard across Apple's MacBook Pro, MacBook Air, Mac mini, and iMac. Digitimes reports that the cost of Thunderbolt technology is expected to drop in the second half of 2012, allowing more widespread adoption. While this sure is great for Windows users, that also means Thunderbolt will be available for hackintosh users!
While Apple does offer Thunderbolt across most of its product line, the first Thunderbolt products have been limited to relatively high end devices, such as the Blackmagic Ultrastudio 3D, the Magma Expressbox 3T or the Promise Pegasus Thunderbolt RAID. More widespread adoption should help drive adoption by accessory makers that will benefit both Mac and PC users that use the Thunderbolt technology.
Thunderbolt is not competing against USB3 (Intel said they see both USB 3.0 and Thunderbolt as complementary technologies) - furthermore there will be USB3 support for Apple devices, since there will be breakout boxes that offer USB3 connectivity.
Minicraft is the new game from Markus Persson, the developer of the successful online game Minecraft. It was developed for the contest Ludum Dare, where the aim is to create a new game from scratch within 48 hours. Markus Persson just recently stepped back from further development of the Minecraft game, handing all the responsibility to an employee of his company Mojang.
Minicraft is an 8-bit game written in Java (playable in the Browser or via a downloadable version) where resources and materials have to be collected to craft and create something new. Persson told, the higher aim of the game is to kill the only other creature with "consciousness" to be alone forever.
Canon recently unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a huge crowd. Cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world - the Canon C300 aims at people that are into professional DSLR Video and want to take a step further.
It will cost somewhere in the range of $20,000. It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens.
Adobe Photoshop CS6 has leaked and various sources start to offer a download from the prerelease version of the latest version (13) of the popular image editing software.
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***You can download the full 1080p version of this video for a more accurate presentation.
Here's a "fair" test between the iPhone 4S and the Canon 5D MK II. I made a little rig that allowed me to shoot both cameras at the same time side by side. All scenes are perfectly synced together so you can pause and scrutinize the frames! See photo of the makeshift rig in the photo area.
Exposure, shutter speed, frame rate and picture style were matched as close as possible between the two cameras. (I used the Zacuto Z-finder to help me adjust exposure for both iPhone and 5D)
This test shows that the tiny F2.4 lens and sensor on the iPhone are pretty nice. It even got a little depth of field!
I did not overlay the exact ISO and Stops 5D settings per shot. It was too much to keep track for this simple test. To be fair I matched 5D exposure to the iPhone so no "Cinestyle" / 24p here.
Here are the settings:
- AE.AF locked. That's all you have!
Canon 5D MKII
- Canon 50mm 1.4
- ISO 160 ~ 640 (varied per shot to match the iPhone)
- F 7~22 (varied per shot to match the iPhone)
- Shutter 1/60th
- Auto WB
- Standard Picture Style
- 1080p 30
A great bargain for m34 (Micro Four Thirds) users (Olympus, Panasonic, etc): the Fujian 35mm F1.7 CCTV TV lens +Mount for MFT m43 (Micro Four Thirds) which sells for $48,99 including free worldwide shipping. We just ordered two of them, so expect photo and video examples soon. In the meanwhile, you might want to take a look at some youtube example footage.
This CCTV Lens is a high quality lens with alloy casing. It is ideal for use in bars, shops, parking lots, houses and warehouse, etc. It gives you the widest field of view image avaialble with a C mount lens. This CCTV Camera Lens provides ultra clear vision for your camera. Incorporates advanced optical elements to ensure all-around sharpness and efficient light conductivity. Its iris can be manually adjusted according to available light levels.
Specifications Fujian 35mm F1.7 CCTV TV lens
Mount type: C mount
Focal length : 35mm
Iris/ Focus operation: manual
Angle of view: 13.8
Object distance: 30cm -infinite
Compatible with cameras including:
Panasonic: G1, GH1, GH2 GF1, G2, G10
Olympus: E-P1, EP-2, E-PL1 fits C Mount Movie Lens
C mount M4/3 Camera lens Adapter to EP1 EP2 GF1 GF2 GH1 GH2
With a C Mount Lens to Micro 4/3 Adapter you can use C Mount lenses on your MFT system. You can use this camera adapter ring in conjunction with the camera adapters to complete the connection to a digital camera supporting a filter thread.
Fuji will make a mirrorless system with an ueber-large sensor that will deliver an image quality higher as any full frame system. The resolution and Signal-to-Noise ratio will top all current full frame sensors.
Fuji president and CEO Shigetaka Komori said they will create a mirrorless, interchangeable lens camera built around a larger sensor with ‘resolution and low noise [that] will surpass the 35mm full size sensor’. If Canon does not come up with the EOS 5D MKIII fast, people will start to switch.
Mosaic Engineering showed a filter that it said to remove lots of annoying issues with the Canon 5D MKII: The filter can be easily removed for standard photography and requires no modification of your hardware (which means no voiding of warranties).
* Optically corrects most aliasing and moiré artifacts in 5D Mark II HD video.
* No reduction of 5D Mark II 1080p video resolution for most lenses.
* True optical correction before video image capture – no postproduction software filters or processing.
* Easily installed or removed in less than 20 seconds.
* 5Dmk2 H.264 codec compresses with better quality with the VAF-5D2, because false, high-frequency, aliased image components are eliminated before compression.
Moire, caused by the downscaling from the image information from the huge 21MP chip affects by line skipping, manifests in issues on fine fabrics, hair, bricks, water, lines. This filter removes all that, and more.
PLUSSES: Removes most of the visible moire, only the most stubborn stuff it cannot remove. Big success on aliasing. A massive improvement on image quality for video compared to shooting without it.
NEGATIVES; Not good with wide angle lenses. Some lenses work better with it than others. Not parfocal. Slight image softening. Close up focus changed. Be careful with old Nikon lenses with the bit of metal that sticks out. It can damage your filter and if you are not careful like me…your camera too! (Update: this issues seem to be fixed in the production version.)
[Update 2012-03-11] I was asked if this filter can be used on the Canon EOS 5DMKIII and I actually think it can, while it remains to be tested if it actually makes sense to use it. The Canon 5D MK3 still has moire: its processor doesn’t line skip anymore but it still has to process the image down from 22.3 MP to 1920×1080 which may create some minor moire or aliasing issues.
This is an information from our Partner, 5uper.net:
In Autumn of 2011 the Festival Coded Cultures takes place for the 4th time, this year focusing on the topic "City as Interface". Ever since the foundation of the Festival in 2004 lay the general emphasis on creative practices of cultural development on the intersections of art, technology, science and design. It is our concern to decode de- velopments, concepts and projects in those “coded” structures of digital and (new) media production, which won’t open up easily to broader audiences. Over the years the alignment of Coded Cultures and its variations were orientated internation- ally with the focus on eastern Europe in 2004, Brasil in the following years and Japan in 2009. This year, Coded Cultures involves mainly participants from Europe with prominent attendees such as transmediale from Berlin, Media Lab Prado from Madrid, Amber Festival from Istanbul and the Enter Festival from Prague.
Coded Cultures 2011 presents itself on many different locations in Vienna, with the main focus on the Donaukanal (Danube Channel) and the surrounding Viennese city districts.
From 21st to 25th of September focus days will be held, which mainly will take place at the Viennese Danube Channel, the 2nd district of Vienna, Museums Quarter Vienna, the Badeschiff and the Odeon Theatre. From the 26th of September to the 2nd of Octo- ber workshops, presentations and artist-talks are taking place. Partners are Transmediale Berlin, Media Lab Prado Madrid, Enter Festival Prag and Amber Festival Istanbul (among many others). On the 1st of October the Festival is ending with a big event at the Badeschiff in cooperation with the viennese Waves Festival.
CODED CULTURES was initiated by the group »5uper.net«: a network of producers, theorists, artists, designers, architects and programmers, which is active in the field of knowledge-work based on digital media related forms of art and culture. Recently, the Book "Coded Cultures: New Creative Practices Out of Diversity" published by Springer.
RAW Video for DSLR with Magic Lantern and Black Magic Hyperdeck Shuttle (vs. Atomos Ninja): 5D MKII, 550D, Rebels
[Update] Black Magic Hyperdeck Shuttle 2 as well as the Atomos Ninja 2 Recorder are already out. We are reviewing them shortly, as we have used both already in production. Both are capable of DNxHD as well as Apple ProRes.
SLR Film making got even more exciting: with the availability of HDMI recorders, RAW Video footage can be recorded to get the maximum out of your Canon 5D MKII or other camera compatible with Magic Lantern. Standard Firmware does not output a "clean" HDMI signal, at least not for Canon cameras; the Panasonic GH2 produces a clean HDMI output, as noted by Philip Bloom (!).
What are currently recommended HDMI field recorders?
1. Black Magic Hyperdeck Shuttle (RAW Video)
2. Atomos Ninja - Portable HDMI Recorder (ProRes)
Unless you are super-rich and have tons of money to spend for Solid State Drives and a RAID Array, you should get the Atomos Ninja. Besides the actual device, you also get a monitoring solution and have a true portable device, that creates files usable with normal hard drives. Overall cost is much lower and there should not be a really visible difference from ProRes to RAW footage. If you are into Bokeh Porn, you might want to spend your money in the Black Magic Hyperdeck Shuttle.
Keep in mind, there are currently some issues with HDMI out an Magic Lantern: there is a video on the 5D MKII's 1080i out and also some discussions going on in the Magic Lantern Forums, because some processing needs to be done to get actual usable files. Actual resolutionis 12-19% less (depending how you do it) but still the results are awesome - especially in low light situations. Maybe we will get real clean HDMI out with the Canon EOS 5D MKIII.
CHDK offers some additional features to Canon Consumer Cameras such as
Professional control - RAW files, bracketing, full manual control over exposure, zebra mode, live histogram, grids, etc.
Motion detection - Trigger exposure in response to motion, fast enough to catch lightning.
USB remote - Simple DIY remote allows you to control your camera remotely.
Scripting - Control CHDK and camera features using ubasic and Lua scripts. Enables time lapse, motion detection, advanced bracketing, and much more.
(more on the CHDK Wiki)
The book addresses "geeky" owners of Canon consumer cameras who would like to explore the possibilities of their cameras, and eventually tweak them to do things way beyond their original specifications, such as
- RAW file (or DNG) support in addition to the camera's JPEG output - Manual control for aperture, shutter speed, and ISO - Expand shutter speeds way beyond the specification limits - Enable bracketing
The hacks are based on the Canon Hack Development Kit (CHDK), a free software maintained by a group of enthusiasts. Many scripts are already published on the web. The book teaches how to use existing scripts and how to write new ones.
Canon cameras, especially their consumer lines of PowerShot/IXUS cameras, allow the user to temporarily upload so called add-ons into the camera through the memory card. The next time the camara is switched on, the add-on is active, when the camera is switched off, the camera returns to its original state, so there is no risk of loosing the manufacturers warranty.