The only thing you need besides Magic Lantern (and a Canon 5D MK3, which currently sells for around $2899) is of course a fast Memory Card. Here are confirmed cards that work well with RAW Video recording:
[Update] after my interview with the group, they clarified that while the HDMI setup was used for initial tests, they were switching to a wireless HD-SDI transmitter/receiver pair. The HDMI solution was quite stable but the HD-SDI version was rock solid even after "filming while moving through the mud".
A press release just reached me via email: the group ArtisticBokeh finished a project, combining a theatre play with a video/film shooting. According to the press release, the used hardware for realizing the piece (and a live stream setup for online viewers) were
Miasma – Call for Reduction was an initial prototype that combined the media/formats of theatre and film: in three days, the performance that took place in the viennese ‘Alte Ankerbrotfabrik’ was interwoven with a movie-shooting. The actual production included the DSLR-cameramen – the cameras were not hidden from the public, but rather included in the storytelling and the stage set. ‘Call for Reduction’ was not only a performative experiment, but also consisted of various experiments with new media technologies as well as new audiences and forms of reception regarding the story-complex and the fictional world of Marie Müller, the main character of the play.
In my opinion, this project perfectly shows how a creative combination of camera and computer hardware can bring new perspectives to rather "old artforms" such as theatre. According to the press release, the group will work on additional prototypes with self-developed camera rigs and settings. You can follow them on twitter and subscribe to their mailinglist directly on their website.
If you are into cinematography or video production, you might have come across terms such as "grading" or "color grading". Color grading and correction are essential in photography when editing RAW files (DNG, NEF and the like) but also in video editing it is essential to know the basics to get the maximum out of your footage. Especially when using the hacked Panasonic GH2 or external recording devices such as the Atomos Ninja or the Blackmagic Design HyperDeck Shuttle 2 SSD Video Recorder.
The upcoming Blackmagic Design Cinema Camera includes DaVinci Resolve, which is said to be "world's most advanced color correction software", but you can of course also grade your footage with Adobe Premiere or Apple's Final Cut Pro.
The Color Correction Handbook: Professional Techniques for Video and Cinema is a very good read for beginners and intermediate videographers that want to get the maximum out of their shoots in post-production. Highly recommended read!
The colorist working in film and video is the individual responsible for breathing life into characters, bringing a mood into a scene, and making the final product polished and professional-looking. This craft is an art form that often takes years to perfect and many trial-and-error attempts at getting it right.
A peek inside the book is available here.
Panasonic 12-35mm GX Vario f2.8 MFT Lens for Micro Four Thirds: Possible Kit Lens for Panasonic Lumix DMC GH3
eoshd writes about the upcoming 12-35mm weather sealed lens that is Panasonic's new top-range Lumix Zoom with a constant aperture of f2.8. While the Panasonic GH3 camera is not out yet, it is rumored to be a competitor to the current weather-sealed and in-body image stabilized Olympus OM-D (EM-5). The Olympus OM-D has the only flaw that it does not output clean HDMI, a shortcoming that the upcoming Panasonic GH3 could address (and solve) since the GH2 also outputs a clean HDMI signal and allows us to use RAW/HiRes external recording devices such as the Atomos Ninja or the Blackmagic Design HyperDeck Shuttle 2 SSD Video Recorder.
The Panasonic 12-35mm GX Vario f2.8 MFT Lens will of course also work with existing Micro Four Thirds Cameras, such as the GH2 or the OM-D, and features four aspherical elements, a 25cm minimum focus distance and Panasonic’s new nano-particle coating. Also the video-optimized image stabilizer (Power OIS) is said to be better.
Expected price is EUR 1100 (approx. 1400$). The original article is in spanish but definitely worth a read (just use google translate to get the information decrypted).
Here are some other sources from the web:
* ePhotoZine: "New Panasonic Lumix G X VARIO 12-35mm f/2.8 Lens Announced"
* dpreview: Panasonic Lumix G X Vario 12-35mm F2.8 ASPH Power OIS Preview
* dcresource: Panasonic announces F2.8, 12 - 35 mm Micro Four Thirds lens (sample photos available)
[Update] as outlined by commenter dslr4video, there are minimal differences to the two camera models, but they are minimal and can be ignored.
Falk Lumo from LumoLabs made an interesting comparison of the D800 vs the D800e: they came to the conclusion that "the differences between the two models are less than one would expect" and "with ~100% amount sharpening, the D800E should deliver comparable results with ~0.5 pixels less sharpening radius, compared to a D800. This also means that one should not refrain from sharpening when using the D800E. Just use weaker settings".
In conclusion, the Nikon D800 and the D800E are almost the same cameras, with only a pricey difference: the Nikon D800 sells for $2999,00 while the Nikon D800E currently costs $3299,00. As Falk Lumo notes - the biggest difference is the market segment, the different Nikon models approach: while the D800 is meant for APS-C and 35mm full frame SLR crossgraders (coming from Canon, Sony, Pentax or Panasonic, etc), since those cameras already have a Bayer-AA Filter. The D800E is meant for medium format (or Leica M9) cross-graders as all those cameras have no Bayer-AA filter implemented and photographers are used to the moire that can show up on fabrics or repetitive patterns.
"The results are pretty similiar, with a bit more sarurated false colors and false color moiré in the D800E (as to be expected). But the D800 is able to show a bit of false color moiré too (a phenomenon known from the Canon 5DmkIII too)."
Please read the article for yourself on falklumo.blogspot.de (written in english), since they really did a good job in measuring the actual sharpness differences.
Today I want to give a recommendation for an affordable HDMI monitor for DSLR Shooters and videographers that need a bigger preview screen; owners of the Panasonic GH2 or the Canon EOS 5D will know what I am talking about: when you are shooting video, you need to have the biggest preview possible to ensure perfect focus - if you need extras such as zebra and focus peaking, you will definitely like the LILLIPUT 5D-II. Best of all: the monitor is a total bargain at $196 and includes battery adapter as well as a power supply.
Don't be distracted by the name: the LILLIPUT 5D-II was built for the Canon EOS 5D MKII but can be used with any camera that provides HDMI output. That includes the Canon EOS 5DMKIII (5D MK3) as well as Panasonic GH/GF/G and the Nikon D800, among other cameras such as Sony of course.
Screen size (diagonal): 7"
Aspect ratio: 16:9
Resolution (pixels) 1024x600 (native), 1920×1080 (maximum)
Pixel pitch (mm) 0.135×0.135
Viewing angle (degrees) 150º x, 130º y
Brightness (cd/m²): 250
Contrast ratio: 800:1
LCD backlight: LED
Video inputs/outputs: HDMI
The best thing about the package is the price tag:
Adobe just recently released their Creative Suite CS6 - which can be downloaded already. The Trial changed from being authorized online, so no trial-prolonging anymore. But since the pricing of Adobe CS6 Suite changed so dramatically, it might be not even needed anymore: the whole Creative Suite 6 Master Collection can be "rented" for $49.90 per month.
You can read our initial posting on Adobe CS6 - just judging from a short review, the speed increase from version 5.5 is dramatically. All the apps are significantly faster, especially Photoshop and After Effects.
Adobe officially announced the the launch of Creative Suite 6 (CS6) which can already be read about on the Adobe CS6 Website. Adobe also presented a new payment method for the usage of CS6: for $49,99 per Month, the whole Bundle of Software can be used on a subscription basis, which is significantly lower than assumed. Small project-teams and low-budget productions can benefit from this service. Updates of Premiere have some highlights such as "native DSLR and Video Camera support", where Adobe also lists the ARRI Alexa, Red EPIC, Red Scarlet, Canon EOS C2300, as newly supported devices. Adobe After Effects finally supports Illustrator path-import. All in all, the whole Suite is said to be much faster, as the new Mercury Engine speeds up overall usage with improved GPU support.
Black Magic Design unleashed the Black Magic Design Cinema Camera with 2.5K RAW Video in CinemaDNG (12-Bit), Avid DNxHD (10-bit) and ProRes (10-bit) support. The Camera can record on SSD drives internally and features a touchscreen with 5" and 800 x 480 resolution. But that's not all: it has Thunderbolt connection, so getting that recorded data out fast is not an issue.
The camera has a dynamic range of 13 stops (!) and supports EF (Canon) and ZF (Zeiss) lenses. Only disappointment seems to be audio support: one integrated mono mic, 2x 1/4" jacks for balanced analog audio (why no XLR?).
Oh, and wait - that's not all - for the suggested price of $3000 they also give you DaVinci Resolve, which is said to be "world's most advanced color correction software", as well as BlackMagic Media Express (Capture Software) and Blackmagic UltraScope software for waveform monitoring from the camera’s Thunderbolt port.
If that isn't something!
Google presented an awesome new product: Google Maps for 8-bit NES.
Nanofunk has a new 404 theme, thanks to the awesome roflcats and cat band! Enjoy the cats (as featured on any 404 site on nanofunk now). Gladly you didn't come here for nothing. This is the place where you can watch the awesome roflcats and band performing just for you: astrocat, floating cat, drumcat, guitar cat hero, and lots of singing and dancing cats to pleasure your 404 web fail. Thanks and good bye.
Thanks a lot roflcats.net for the awesome contribution!
"Now here we are nearly 4 years down the road from the original 5D Mark II that started it all. What do we have? A 5D Mark III with video quality dated to the tune of nearly 4 years." (eoshd)
I am a big fan of the Panasonic GH2, but since the Canon EOS 5D MKIII and the Nikon D800 were released to the public, I am thinking of switching gear. Currently, there is a fight between the D800 and the 5D3, but the Panasonic GH2 seems to still beat the crap out of Canon. Did Canon finally lose the DSLR wars?
The Panasonic GH2 is a bargain on amazon US:
If you are into second-hand gear, you can get your hands on the Panasonic GH2 starting at $400. Go and get one, while they are still cheap ;)
Canon can still turn the wheel around, by releasing a firmware upgrade. Currently, the EOS 5D MK3 has very poor video quality - only the reduced rolling shutter and moire are worth an upgrade - although the price of the Canon is far too high. I totally have to agree with EOSHD on this one.
Canon 5D MKIII
The Canon 5D MKIII performs better in low-light and high ISO. Sadly it has no clean HDMI out, which is a real bummer. The internal codec is at 90Mbps 4:2:0, which is not much. The available video samples look good, although it could be even better with clean HDMI output - but who is to bring clean HDMI to the 5d3? There are two possible ways:
a) Magic Lantern could bring clean HDMI output to the Canon 5D MK3, if it can be hacked, which is not clear as of now. Also, it will take some time, expect at least 6months to see any usable development (if at all).
b) Canon could release a firmware update to provide clean HDMI out. We could try and contact canon to tell them, that we demand clean HDMI out. Of course, it remains totally unclear if they will ever release such an update.
Although, the Canon 5D MK3 seems to have better Video capabilities, clean detail and no moire (or at least almost no moire) - which would not be fixed by HDMI out anyway. If there is the chance to crank up the codec to 180Mbit (with a hack by Vitaly Kiselev or Magic Lantern) we would see a definite winner in the battle.
The Nikon D800 performs quite well on paper, but in reality the Canon 5D MK3 performs better in low-light and high ISO. First samples of clean HDMI output and RAW Video (Apple ProRes) with the Nikon D800 are online - and they look great. Keep in mind that the Nikon D800 provides 8bit output (not 10bit), and the first RAW Video results are better than the internal codec Canon 5D MK3 Videos. Bundled with the Atomos Samurai and the Atomos h2s connect the Nikon D800 brings you high resolution 800×480 LCD (with focus peaking and zebras via latest firmware) plus 4:2:2 video. This is clearly the best setup we have as of today, maybe only topped by a D4+Samurai (c.f. mike kobal's results with the d800).
Still, the current discussion is about comparing apples to oranges, at least from watching actual results and comparing them:
Comparing photo/stills performance (via canonrumors forum)
1. At ISO100, the Nikon D800 has noticeably superior images out of the camera, due primarily to greater detail and dynamic range.
2. At ISO6400, the Canon 5DIII has noticeably superior images out of the camera, due primarily to significantly less noise.
bobatkins notes: The bottom line is that neither the D800 nor the EOS 5D MkIII sensor is "better". They are different. The Nikon sensor should have higher resolution which will be desirable for those making very large prints or who need to significantly crop their images. On the other hand the EOS 5D MkIII sensor will produce images with lower noise and higher dynamic range in lower light conditions where the use of higher ISO settings are desirable. For smaller prints at lower ISO settings (which is where most amateur photographers will be working most of the time), the sensor pixel count and noise characteristics won't matter.
Comparing video performace
Fact: Video doesn't need a high resolution sensor, it is all about the crop modes and sensor scaling, as outlined by eoshd, when we just look at the surface of the Nikon D800 vs Canon 5D MK3 debate.
BUT (as discussed on dvinfo) the Nikon D4 could be the real deal, beating both the D800 and the 5D3: It would seem to me that as a micro-budget filmmaker without access to as much lighting as one would like - the fatter pixels of the d4 would provide better low light shooting outside at night, dimly lit night interiors etc. When moving about with only a china ball and a c-stand I think I would want the sensor of the d4 on my side to maximize the lack of additional equipment. So while it seems like the d800 is better suited because of the price tag - my thoughts are that the d4 with one more crop setting than the d800 [fewer lenses], and better low light, and wireless control [small crew] that it is the d4 that will actually be the indie-filmmakers choice.
There is no clear winner to the war, and Canon could still turn around and release a firmware update that provides HDMI out. Further, the actual results of the D4 vs D800 have to be compared to crown the king of DSLR video.
In the meanwhile, it might be also worth to invest in a Canon 5D MKII still, since it is selling quite cheap those days (selling for $2,199.00 new) and can be used with RAW Video (HDMI) output with Magic Lantern Unified soon.
The official Manual for the Canon 5D MKIII has surfaced. (thanks planet5d for hosting the file)
Also downloadable: Canon EOS 5D Mark III Pocket Guide
Sony unveiled the Sony Alpha SLT-A57K 16.1 MP Exmor DSLR HD Video Camera with a CMOS Sensor, Translucent Mirror Technology, 3D Sweep Panorama and 18-55mm Zoom Lens. The midrange d-SLR features a 16-megapixel, APS-C-sized sensor and is positioned to compete with Canon's EOS Rebel T3i and the Nikon's D5100. It can be pre-ordered on amazon already, for a price of $699.
Sony has announced the SLT-A57, a replacement for the original A55 fixed-mirror, electronic viewfinder DSLR. The A57 still features a 16MP sensor and LCD viewfinder but incorporates them into essentially the same body as the more expensive A65. Use of the latest Bionz processor means the A57 offers a wider-than-ever selection of photographic features and image processing modes. There's also an optional HVL-LE1 video-lighting LED panel.
16.1MP CMOS sensor
Latest Bionz processor
Larger, FM500H battery (same as A65 and A77)
Auto ISO 100-3200
1,440,000 dot LCD electronic viewfinder
920,000 dot bottom-hinged rear LCD
10 frame per second continuous shooting mode with AF (12fps at 8.4MP crop)
Picture Effects processing options
Clear View Zoom up-sizing digital zoom
Peaking manual focus guide overlay
1080p AVCHD 2.0 movies at 60 or 24 fps (50 or 25 in Europe)
Sadly, neither the Atomos Ninja 10-Bit Uncompressed to Apple ProRes Field Recorder nor the Black Magic HyperDeck Shuttle Raw Video HDMI Recorder supports 50frames and 60frames in Full-HD (1080p), so we are limited to the internal recordings on the camera. The Sony Alpha SLT-A57 supports AVCHD 2, so the video output should be decent. We are looking forward to example videos and will keep you posted on updates.
Nikonrumors just posted the first Nikon D4 unboxing video.
The Canon EOS 5D MKIII looks good on paper: 91MB/s h264 codec, less moire and antialiasing, better low-light performance. Here are some example videos from the web that showcase the new and upcoming DSLR video beast from Canon. (thanks to dslr4video)
Canon 5D3 Video Sample with EF Lenses
Canon 5D Mark III first sample short movie, Canon 5D MK III, 50mm f1.4
Canon EOS 5D Mark III 720P SHOTS (NO COLOR CORRECTION)
Canon EOS 5D MKII MK3 is here and can be pre-ordered on amazon. But: no clean HDMI makes D800(E) a strong competitor
The long awaited Canon EOS 5DMKIII is here, as correctly predicted by canonrumors and the best news: it can be pre-ordered on amazon. This means that we won't only have to see if the Canon 5D MK3 will be hackable and can use Magic Lantern, it also has to face a direct competitor: the Nikon D800.
Why would anyone switch lenses and go down the Nikon Road when the new Canon EOS 5D looks so promising? Well, it has one small but serious flaw: it does not support clean HDMI (uncompressed HDMI) output.
This small fact means, that external HDMI recorders (see the RAW VIDEO comparison on nanofunk) such as the Black Magic Hyperdeck Shuttle or the Atomos Ninja will not work with the Canon EOS 5D MK3. Still, if the camera gets hacked by the Magic Lantern Project, or a firmware update gets released by Canon, the situation could change. After all, the 5D3 is a very capable camera, and in some points even superior to the Nikon D800.
What are the new features of the Canon 5D MKIII for filmers/videographers?
The new 5D3 produces 90mbit h264 files out-of-the box. This is a significant improvement over the previous 5D2. Also, the negative rolling shutter effect is reduced by half, as outlined by a japanese blog. ISO performance is almost clean at ISO 3200, and much improved at 6400 and 12,800. Aliasing and moire are reduced. There is less false detail and the codec improved a lot.
improvements roundup (via eoshd)
* 91Mbit high bit rate video support
* possible "movie crop mode" (similar to the Panasonic GH2 Extra-Tele Video Mode)
* Audio controls and on screen meters
* Clean ISO 12,800 and full resolution JPEGs
EOS 5D Mark III ISO 12800 MOVIE
Please add your comments below. It looks like with that specs, we might not even need the 5D MKIII to be hacked, as it performs quite well out-of-the-box. Still the Nikon D800 is a worthy competitor and we have to wait for both cameras to be delivered, so we can crown the future king of DSLR Video. Until then, why not get both cameras? :)
Magic Lantern, the alternative firmware for Canon cameras is currently running on 550D/T2i, 60D, 600D/T3i, 500D/T1i, 50D 5D Mark II and 1100D. The Unfied Version is not running on the 5D MKII yet (although you can get early access by donating via paypal) - but the long-term plan is "merging the AJ 5.x firmware with the unified one currently running on smaller cameras". This is good news indeed (see the HDR-Video option of ML Unified). You can also read the review of ML Unified on EOSHD.
here is out only wanted feature:
* more work on HDMI output for the 5DMKII so it is fully usable with the Atomos Ninja
You can support the development by sending them a small donation: http://goo.gl/gvD8Q. Here is the original sendout from the magic lantern user group:
Following the small, but positive feedback from this thread [ http://bit.ly/ml-unified-5D2 ], I'm glad to announce the next long-term direction of Magic Lantern: merging the AJ 5.x firmware with the unified one currently running on smaller cameras.
I need your help. As explained in the previous post, a good port (one suitable for paid jobs) requires me having a camera for testing. On 550D/60D ports, crashes are almost non-existent, audio meters are calibrated, HDMI monitors are fully usable and so on. So, if you like this idea, you may help me buy a 5D2 by:
- a small donation (you don't need a PayPal account for this): http://goo.gl/gvD8Q
- or by spreading the word, since right now there are not many users familiar with both ML versions
Feature-wise: I'd like to ask the users who have tried both AJ and Unified ML (especially those using both versions in a regular fashion) to comment on this. Main question: what's the best of both worlds? What do you like better in AJ 5.x and what do you like better in Unified? Big thanks to all ML community for making it possible!
Magic Lantern Unified looks promising: High Dynamic Range VIDEO for Canon cameras:
============== UPDATE ================
available for download now!
Demonstration of the new and free High Dynamic Range VIDEO feature for control over ultra contrast situations.
Discussion, workflow, RAW footage, FAQ:
Magic Lantern is a custom firmware add-on for Canon dSLR cameras. It is not a hack, or a modified firmware, but it runs alongside Canon's own firmware, booting from the card every time you turn the camera on. The only modification to the original firmware is the ability to boot software from the card.
HDR Video: what does it mean? It does not output pre-processed HDR video from the camera, rather it blends the alternative high ISO / low ISO frames together in post (see this discussion thread at Vimeo). There is of course a difference if you use two Canon 5D MKII for generating a HDR movie (as this guy did) compared to this "hack", although the development of Magic Lantern continues to impress!
Keep on rocking! We can't await clean HDMI output for the 5DMKII to use it with the Atomos Ninja (if this hack is possible at all...)
DigiTimes reports that Intel has notified partners that the company will "fully release" its Thunderbolt technology (previously known as "Lightpeak") in April 2012. Intel is reportedly preparing to launch Thunderbolt-supported motherboards, notebooks and desktop PCs at that time, other mainboard suppliers such as Gigabyte and Asus will follow.
Intel and Apple originally partnered on the new technology which has become standard across Apple's MacBook Pro, MacBook Air, Mac mini, and iMac. Digitimes reports that the cost of Thunderbolt technology is expected to drop in the second half of 2012, allowing more widespread adoption. While this sure is great for Windows users, that also means Thunderbolt will be available for hackintosh users!
While Apple does offer Thunderbolt across most of its product line, the first Thunderbolt products have been limited to relatively high end devices, such as the Blackmagic Ultrastudio 3D, the Magma Expressbox 3T or the Promise Pegasus Thunderbolt RAID. More widespread adoption should help drive adoption by accessory makers that will benefit both Mac and PC users that use the Thunderbolt technology.
Thunderbolt is not competing against USB3 (Intel said they see both USB 3.0 and Thunderbolt as complementary technologies) - furthermore there will be USB3 support for Apple devices, since there will be breakout boxes that offer USB3 connectivity.
Just as Canon announced the C300 DSLR Video Camera - RED, the company behind the legendary RED EPIC camera, announces the RED SCARLET-X with Canon EF or Arri PL mount: a 4K camera with a price starting below 10.000US$. While the Canon C300 is a 1080p camera that uses 4:2:2 sampling, (50 Mbps MPEG2) and captures a total of 3840x2160 pixels with its Super 35mm image sensor, the RED has other specs: 440Mbps RED REDCODE RAW format at 444 , 12fps at 5K, 25fps at true 4K, 30fps in 3K and 60fps in 2K.
Canon also announced a real 4k Camera to be available somewhere in the next year. So 2012 could become the real year of DSLR Video.
Here is the original press release from RED.COM
RED STUDIOS HOLLYWOOD, Hollywood, Calif., November 3, 2011 – RED Digital Cinema has officially released its third industry-changing camera, the Scarlet-X. With burst modes up to 12 fps at full 5K resolution alongside 4K motion capture from 1-30 fps, the camera allows professional photographers and cinematographers to simultaneously capture motion footage and still content. Never miss a shot. Ever. Scarlet-X’s compact design, endless modularity and advanced feature set provide a future-proof solution catering to every shooter’s needs, leaving one-dimensional DSLRs and 1080p camcorders in its wake. Priced at under $10,000, Scarlet-X advances RED’s vision to democratize superlative cinema and professional photography.
Scarlet-X comes standard with a Canon EF or PL mount, which can be swapped easily using Scarlet-X’s interchangeable lens mount system. Panavision, Anamorphic, and Nikon lenses are also compatible with the camera, providing ultimate freedom when it comes to creative decision-making. The addition of HDRx reaches up to 18 stops of dynamic range, bringing digital images closer than ever to the natural perception of the human eye.
With the innate ability to capture 5K REDCODE RAW stills and true 4K motion footage, Scarlet-X produces visually lossless files that can easily be graded and finished. Combining all of the finest qualities of cinema and photography into one camera, Scarlet-X allows the customer to have the best of both worlds. Compromise nothing. Shoot everything.
“The future is dependent on those who push… not those who react,” said Jim Jannard, founder of RED Digital Cinema.
RED is now taking orders on RED.com for Scarlet-X.
Since delivering their first camera – the RED ONE – in 2007, RED Digital Cinema has jumped ahead of the pack over camera companies that had dominated the market for decades. Feature films shot with RED cameras such as the Academy Award-winning movie “The Social Network” and the more recent “Contagion” have contributed to a lineage of cinematic success. Since the 2011 introduction of DSMC (Digital Still & Motion Camera) technology, photography icons like Bruce Weber, Greg Williams and Inez + Vinoodh have used RED cameras to shoot covers and spreads for the some of the most influential fashion magazines in the world.
Follow the announcement at REDUSER.net/SCARLET.
[Update 20.11.2011] Philip Bloom posted a balanced take on the Scarlet. Worth a read.
Recommended reading on this topic: The Truth About 2K, 4K and The Future of Pixels
Canon recently unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a huge crowd. Cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world - the Canon C300 aims at people that are into professional DSLR Video and want to take a step further.
It will cost somewhere in the range of $20,000. It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens.
***You can download the full 1080p version of this video for a more accurate presentation.
Here's a "fair" test between the iPhone 4S and the Canon 5D MK II. I made a little rig that allowed me to shoot both cameras at the same time side by side. All scenes are perfectly synced together so you can pause and scrutinize the frames! See photo of the makeshift rig in the photo area.
Exposure, shutter speed, frame rate and picture style were matched as close as possible between the two cameras. (I used the Zacuto Z-finder to help me adjust exposure for both iPhone and 5D)
This test shows that the tiny F2.4 lens and sensor on the iPhone are pretty nice. It even got a little depth of field!
I did not overlay the exact ISO and Stops 5D settings per shot. It was too much to keep track for this simple test. To be fair I matched 5D exposure to the iPhone so no "Cinestyle" / 24p here.
Here are the settings:
- AE.AF locked. That's all you have!
Canon 5D MKII
- Canon 50mm 1.4
- ISO 160 ~ 640 (varied per shot to match the iPhone)
- F 7~22 (varied per shot to match the iPhone)
- Shutter 1/60th
- Auto WB
- Standard Picture Style
- 1080p 30
This comes out if you mix the two most popular conteporary AIs: GlaDOS and Siri.
Intel will bring Thunderbolt to the PC, which means you can use your devices such as the Promise Pegasus Thunderbolt RAID or the Lacie Little Big Disk, but also products such as the black magic intensity extreme Thunderbolt video capture cards on your Windows PCs - and on your hackintosh machines as well.
During Intel’s Developer Forum, the chip maker showed off some Ultrabook prototypes running on its Haswell-based processor and sporting the high-speed Thunderbolt port. The technology was developed in collaboration with Apple and has so far remained exclusive to Macs. That may change soon as Intel teases that Thunderbolt will be heading to Windows PCs as well.
hunderbolt was originally code-named Light Peak and was installed on the update to the Mac Book Pro earlier this year. Rights to the Thunderbolt technology were originally registered under Apple, but were transferred over to Intel which is why you'll see it's name popping up a bit more. We already know Acer and Asus are planning Thunderbolt integration, but we're unsure how the port will look. Currently, the Thunderbolt port on Apple products is identical to the mini-display port, but PC users would rather it be more like USB for increased compatibility. Not to many people are aware of this, but Sony released their VAIO Z with a hybrid USB 3.0/Light Peak port, so it's kind of up in the air as to how things will shape-up.
Expected timeframe: anywhere in 2012.
A great bargain for m34 (Micro Four Thirds) users (Olympus, Panasonic, etc): the Fujian 35mm F1.7 CCTV TV lens +Mount for MFT m43 (Micro Four Thirds) which sells for $48,99 including free worldwide shipping. We just ordered two of them, so expect photo and video examples soon. In the meanwhile, you might want to take a look at some youtube example footage.
This CCTV Lens is a high quality lens with alloy casing. It is ideal for use in bars, shops, parking lots, houses and warehouse, etc. It gives you the widest field of view image avaialble with a C mount lens. This CCTV Camera Lens provides ultra clear vision for your camera. Incorporates advanced optical elements to ensure all-around sharpness and efficient light conductivity. Its iris can be manually adjusted according to available light levels.
Specifications Fujian 35mm F1.7 CCTV TV lens
Mount type: C mount
Focal length : 35mm
Iris/ Focus operation: manual
Angle of view: 13.8
Object distance: 30cm -infinite
Compatible with cameras including:
Panasonic: G1, GH1, GH2 GF1, G2, G10
Olympus: E-P1, EP-2, E-PL1 fits C Mount Movie Lens
C mount M4/3 Camera lens Adapter to EP1 EP2 GF1 GF2 GH1 GH2
With a C Mount Lens to Micro 4/3 Adapter you can use C Mount lenses on your MFT system. You can use this camera adapter ring in conjunction with the camera adapters to complete the connection to a digital camera supporting a filter thread.
Mosaic Engineering showed a filter that it said to remove lots of annoying issues with the Canon 5D MKII: The filter can be easily removed for standard photography and requires no modification of your hardware (which means no voiding of warranties).
* Optically corrects most aliasing and moiré artifacts in 5D Mark II HD video.
* No reduction of 5D Mark II 1080p video resolution for most lenses.
* True optical correction before video image capture – no postproduction software filters or processing.
* Easily installed or removed in less than 20 seconds.
* 5Dmk2 H.264 codec compresses with better quality with the VAF-5D2, because false, high-frequency, aliased image components are eliminated before compression.
Moire, caused by the downscaling from the image information from the huge 21MP chip affects by line skipping, manifests in issues on fine fabrics, hair, bricks, water, lines. This filter removes all that, and more.
PLUSSES: Removes most of the visible moire, only the most stubborn stuff it cannot remove. Big success on aliasing. A massive improvement on image quality for video compared to shooting without it.
NEGATIVES; Not good with wide angle lenses. Some lenses work better with it than others. Not parfocal. Slight image softening. Close up focus changed. Be careful with old Nikon lenses with the bit of metal that sticks out. It can damage your filter and if you are not careful like me…your camera too! (Update: this issues seem to be fixed in the production version.)
[Update 2012-03-11] I was asked if this filter can be used on the Canon EOS 5DMKIII and I actually think it can, while it remains to be tested if it actually makes sense to use it. The Canon 5D MK3 still has moire: its processor doesn’t line skip anymore but it still has to process the image down from 22.3 MP to 1920×1080 which may create some minor moire or aliasing issues.
RAW Video for DSLR with Magic Lantern and Black Magic Hyperdeck Shuttle (vs. Atomos Ninja): 5D MKII, 550D, Rebels
[Update] Black Magic Hyperdeck Shuttle 2 as well as the Atomos Ninja 2 Recorder are already out. We are reviewing them shortly, as we have used both already in production. Both are capable of DNxHD as well as Apple ProRes.
SLR Film making got even more exciting: with the availability of HDMI recorders, RAW Video footage can be recorded to get the maximum out of your Canon 5D MKII or other camera compatible with Magic Lantern. Standard Firmware does not output a "clean" HDMI signal, at least not for Canon cameras; the Panasonic GH2 produces a clean HDMI output, as noted by Philip Bloom (!).
What are currently recommended HDMI field recorders?
1. Black Magic Hyperdeck Shuttle (RAW Video)
2. Atomos Ninja - Portable HDMI Recorder (ProRes)
Unless you are super-rich and have tons of money to spend for Solid State Drives and a RAID Array, you should get the Atomos Ninja. Besides the actual device, you also get a monitoring solution and have a true portable device, that creates files usable with normal hard drives. Overall cost is much lower and there should not be a really visible difference from ProRes to RAW footage. If you are into Bokeh Porn, you might want to spend your money in the Black Magic Hyperdeck Shuttle.
Keep in mind, there are currently some issues with HDMI out an Magic Lantern: there is a video on the 5D MKII's 1080i out and also some discussions going on in the Magic Lantern Forums, because some processing needs to be done to get actual usable files. Actual resolutionis 12-19% less (depending how you do it) but still the results are awesome - especially in low light situations. Maybe we will get real clean HDMI out with the Canon EOS 5D MKIII.
Since lot of people ask me, which (photo) cameras to buy which also work for filming, here is a short roundup of cameras that I find worth mentioning. All of the cameras mentioned will work with Magic Lantern:
Canon Rebel T1i|
Canon EOS 500D
Canon Rebel T2i|
Canon EOS 550D
Canon Rebel T3i|
Canon EOS 600D
Canon EOS 60D
Canon EOS 5D MKII
Europe: 449.00€ (used)
|The Revel T1i was a great camera, although we cannot recommend it, since its successor is the 550D and the 600D. If you can get a cheap second hand alternative at ebay, you might get a deal, though. (Seen on ebay for $199 used)||The 550D is a great camera, although the 600D beats it in price/value. If you can get your hands on a cheap second-hand 550D, you might be able to even save some more bucks. (Seen on ebay for $399 used)||The 600D is our definite winner in price/value: feature-rich, reasonably priced, enjoyable to use and, most importantly, takes great pictures. It's relatively small, but is fully supported by Magic Lantern and you should be really happy with that camera if you use good lenses and fast Compact Flash Cards.||The 60D is a great camera, although almost in the same range as the 7D (which has no Magic Lantern support yet). If you are only shooting photos, go for the 7D - if you are doing video, save some bucks and go for the 600D. Invest the spare money in good lenses.||The best of all the cameras compared, if we leave out the price. While this is also the most pricy camera, it certainly gets beaten by the 600D when it comes to price/value. The Canon EOS 5D MKII is the best camera for digital video out there, although with the 600D and with fast enough SDXC cards, you will almost match the quality of the 5D MKII.|
Conclusio: get the 600D if you need to save money, get the 5D MKII if you have some spare 3000$. Invest in good lenses, such as the Canon EF 24-105mm f/4 L IS USM, even if you are using it on the 600D (it will get converted to a 38-168mm, though). The Canon EF-S 55-250mm f/4.0-5.6 IS is a cheap but quite good alternative. Make sure you get a really fast SDXC card, since you will want to increase the Video Bitrate with Magic Lantern to make your videos quality increase as well. Recommendation: the Lexar Media 64 GB SDXC Flash Memory Card LSD64GCRBNA133 stores 64GB (!) and is blazingly fast.
Random Info via canonrumors:
- Canon Australia has sent CPS management to Singapore for product training. [CR2]
- Any Canon announcement will come after Nikon’s announcement on August 24, 2011. [CR2]
- 5D Mark III’s are in the wild and an announcement is imminent [CR1]
- 1D Mark IV’s are out of stock or hard to come by in certain countries. A retailer in New Zealand actually said they won’t be getting any more. [CR1]
- 1Ds Mark IV resolution correction, I’m told it will actually be 36mp.
Since I was planning on getting a 5D Mark II these days, I hope to see increasing price drops on the camera kits very soon - since there are already visible price drops around the globe. On Amazon.com the price for the Body still is $2499,00. Canon Australia already lowered the price for the premium KIT from $4899 AU$ to 4499AU$, so we can hope for price drops on the international market as well. On the German Amazon Marketplace, the currently cheapest price for the 5D MKII Body (new) is 1924,90 EUR, while the Premium KIT (EF 24-105mm L IS USM) is at 2619,99 (a light price drop is already visible).
Commenting on the current question, if it is still a good idea to buy a Canon 5D MKII: YES. Why? The Canon 5D MKII is a great camera and also there won't be any new Lenses coming up so fast (at least when we talk about EF 24-105mm L IS USM), so if you need one now, go and get one. Also, if you are in DSLR-Video, "Magic Lantern" is a great and stable system, which will not immediately run on the MKIII. Some people even suggests that there might be a 1000$ price difference (at least) for an upcoming 5D MKIII.
Still the 5D Mark II is a good buy, when compared to the Canon EOS 7D, since an announcement for a Canon EOS 7D MKII won't be around the corner until end of 2011, if we believe the rumors. A 5d MKIII won't be available instantly after release, so one way or the other, before 2012 you won't be able to get your hands on a 5D MKIII - and if so, then for sure not for a reasonable price. The current price difference for the 5DMKII to the 7D is 700$ - if you are into DSLR Video, that's a clear GO for the 5DMKII.
[Update] Canon Rumors has a new Blog post "5D Mark III & The Rest [CR2]" which indicates, that there could be a 5D Mark III announced in October 2011
CHDK offers some additional features to Canon Consumer Cameras such as
Professional control - RAW files, bracketing, full manual control over exposure, zebra mode, live histogram, grids, etc.
Motion detection - Trigger exposure in response to motion, fast enough to catch lightning.
USB remote - Simple DIY remote allows you to control your camera remotely.
Scripting - Control CHDK and camera features using ubasic and Lua scripts. Enables time lapse, motion detection, advanced bracketing, and much more.
(more on the CHDK Wiki)
The book addresses "geeky" owners of Canon consumer cameras who would like to explore the possibilities of their cameras, and eventually tweak them to do things way beyond their original specifications, such as
- RAW file (or DNG) support in addition to the camera's JPEG output - Manual control for aperture, shutter speed, and ISO - Expand shutter speeds way beyond the specification limits - Enable bracketing
The hacks are based on the Canon Hack Development Kit (CHDK), a free software maintained by a group of enthusiasts. Many scripts are already published on the web. The book teaches how to use existing scripts and how to write new ones.
Canon cameras, especially their consumer lines of PowerShot/IXUS cameras, allow the user to temporarily upload so called add-ons into the camera through the memory card. The next time the camara is switched on, the add-on is active, when the camera is switched off, the camera returns to its original state, so there is no risk of loosing the manufacturers warranty.
Owl Project is a collaborative group of Manchester based artists who share interests in human interaction with technology and process led art. Over the last few years they have become known for a distinctive range of wooden musical and sculptural instruments that critique human interaction with computer interfaces and our increasing appetite for new and often disposable technologies.
Teaser Video from the Coded Cultures 2009 Festival.
"Coded Cultures is a binational festival (Austria – Japan) in the year 2009 to explore new artistic practices and creative ability profiles within media integrated project-cultures and
digital media related arts, focusing on Japan and Europe." (via 5uper.net)