LILLIPUT 5D-II High resolution 7″ HDMI monitor for DSLR Preview is a bargain with 1024×600 pixels
Today I want to give a recommendation for an affordable HDMI monitor for DSLR Shooters and videographers that need a bigger preview screen; owners of the Panasonic GH2 or the Canon EOS 5D will know what I am talking about: when you are shooting video, you need to have the biggest preview possible to ensure perfect focus - if you need extras such as zebra and focus peaking, you will definitely like the LILLIPUT 5D-II. Best of all: the monitor is a total bargain at $196 and includes battery adapter as well as a power supply.
Don't be distracted by the name: the LILLIPUT 5D-II was built for the Canon EOS 5D MKII but can be used with any camera that provides HDMI output. That includes the Canon EOS 5DMKIII (5D MK3) as well as Panasonic GH/GF/G and the Nikon D800, among other cameras such as Sony of course.
Screen size (diagonal): 7"
Aspect ratio: 16:9
Resolution (pixels) 1024x600 (native), 1920×1080 (maximum)
Pixel pitch (mm) 0.135×0.135
Viewing angle (degrees) 150º x, 130º y
Brightness (cd/m²): 250
Contrast ratio: 800:1
LCD backlight: LED
Video inputs/outputs: HDMI
The best thing about the package is the price tag:
$196 in the United States (via Amazon USA)
€320 in Europe (European Union) via Amazon Germany
Adobe Creative Suite CS6 is online and can be downloaded
Adobe just recently released their Creative Suite CS6 - which can be downloaded already. The Trial changed from being authorized online, so no trial-prolonging anymore. But since the pricing of Adobe CS6 Suite changed so dramatically, it might be not even needed anymore: the whole Creative Suite 6 Master Collection can be "rented" for $49.90 per month.
Adobe CS6 Design Standard Student and Teacher Edition starts at $349 while the whole Adobe CS6 Master Edition currently costs $2599.
You can read our initial posting on Adobe CS6 - just judging from a short review, the speed increase from version 5.5 is dramatically. All the apps are significantly faster, especially Photoshop and After Effects.
Panasonic Lumix GH2 DSLR Video Shooter Kits for Sale: For Professionals and Starters
dslr4video asked me to point readers of the Nanofunk Blog to their current offer of Panasonic GH2 Video Shooter Starter KITS they are offering.
Their KITS offer not only the Panasonic GH2 Camera, but also 3 Lenses, high-quality Novoflex Adapter Systems and Tripods as well as other goodies such as the Rode VideoMic and Adapters to run the cameras from a power source.
Nanofunk already has the Panasonic GH2 and is totally hooked - currently the Panasonic GH2 beats the crap out of the Nikon D800 and the Canon EOS 5D MKIII when it comes to image quality in filming.
RECOMMENDED!
Olympus E-M5 OM-D System Camera is shipping in Europe!
The long-awaited and revolutionary camera for digital photographers and videographers is finally shipping in Europe! The Olympus E-M5 OM-D System Camera features a weather and waterproof case, as well as a new in-body image stabilization system!
The camera is perfect for low-budget film and video productions and if the only caveat (currently only HDMI out in "preview mode") would be fixed with a firmware update by Olympus, it could be used together with the Atomos Ninja HDMI Recorder or BlackMagic Design Hyperdeck Shuttle to record RAW video (respectively Apple ProRes or Avid DNxHD).
Evoking the classic design of the original OM Series introduced 40 years ago, and transforming it for the modern age, the Olympus OM-D Series is a new and entirely unique Micro Four Thirds camera system. It combines outstanding features found in the Olympus E-System DSLR line with those of the compact Olympus PEN® Series to meet the requirements of discerning photographers who demand more performance and portability from their interchangeable-lens cameras.
Ordinary cameras have a 2-axis image stabilization system, and it is not implemented in the camera body, but in the lenses - such as the mega O.I.S. from panasonic. The really awesome part of the Olympus OMD is the built-in image stabilization in the body! Compensating and correcting 5-axes of shaking and shift, this new I.S. is the future of portable digital video: it corrects horizontal shift, vertical shift and rolling camera shake - the gyroscopic sensors in the camera detect the amount of camera shake and the IS unit automatically compensates.
Olympus OMD E-M5: combatting bodyshake for vertical, horizontal, pitch, rolling and yaw. IS compensation is effective up to a maximum of -5 EV.
[Update] Thanks to thayermc for pointing out that currently clean HDMI out is crippled. I hope this will be fixed in a future firmware.
Canon 5D Mark III is hacked (Hello World) Magic Lantern soon
as reported by eoshd: the Canon EOS 5D MKIII was already hacked by the Magic Lantern team showing a "Hello World" on the internal LCD of the camera. That means Magic Lantern for the Canon EOS 5D MK3 is around the corner! If we will see a clean HDMI output and a solution to the rather soft image of the 5D3 compared to the Nikon D800 is not sure at the moment.
If we get clean HDMI, that means we could use RAW HDMI recorders such as the Black Magic Design Hyperdeck Shuttle or the Atomos Ninja 2 to record the best output image possible - but maybe the internal cranked-up codec from Magic Lantern will already do the trick, as can be seen on the Panasonic GH2 which beats the crap out of the internal codec of the 5D MKIII by simply providing a smarter and better looking image quality on the software-side.
The soft image of the Canon 5D MKIII is a disappointment up to now, we can only hope for things to get better with a little help from the modding scene.
Nikon D3200 is already shipping, 1 week after announcement
The just recently announced NIKON D3200 DSLR camera is already shipping via Amazon in the US, people in europe have to still wait, since you can only pre-order for now (but the camera should be available soon, according to Nikon). The D3200 features a 24.2 MP DX-format CMOS sensor (crop factor of 1.5) and has EXPEED III image processing. It is an entry level DSLR but it can shoot 1080p HD video - still the problem is that it won't output clean HDMI signal (which could be fixed by a firmware update theoretically).
After all, we got a nice new cheap camera to chose from when shooting low budget video or just want to take casual fotos. While the Nikon D3200 should be superior in terms of photography compared to the Panasonic GH2, still in video the Lumix GH2 is the top of the class. We will see if there will be a firmware hack for the D3200 - it is quite possible since there is some hacking done with Nikon cameras, but it will take time for sure. Maybe we can order the D3200 to sweeten the long time of waiting for the D800 which is still only available via preorder.
DSLR Rig Shoulder Mount Pad Steady Rig Stabilization System for EUR 100
DSLR Rigs go for as low as 100€ (130 US$) on ebay. But are they any good? How do they compare to expensive DSLR Shoulder Rigs and should you care?
pictured: DSLR Rig Shoulder Mount Pad Steady Rig Stabilization System for 7D 5D Mark II Z7 from filmcity23 (international orders)
Short answer: go for the cheap Rigs! They are quite durable and you can buy another one if it breaks.
Longer answer:
The upgradeability of the cheap rigs are limited. Furthermore the materials used are also cheap, so of course, if you are a pro-shooter you might want to get the more expensive Rigs, such as the Proaim DSLR KIT-3 or the (very expensive) Redrock DSLR Cinema Bundle. If you are beginner or intermediate, you should definitely try the cheap Rigs for a little over 100€, since they are often sufficient. Stabilizing the video output and generating good footage should be your main concern - after all the rig is not visible on your footage.
Atomos presents the Ninja 2 HDMI Field Recorder with Updated Sceen 800×480 and HDMI Out, adds Avid DNxHD
Atomos released the "Ninja 2" HDMI Recorder, following the success of the previous Atomos Ninja - featuring a much larger screen (800x480 pixels at 4.3") and support for Avid DNxHD Codecs. Furthermore the device has HDMI Output now, which means that we can mount a Blackmagic Design HyperDeck Shuttle SSD Field Recorder to it, allowing for simultaneous RAW Video and ProRes/DNxHD 220Mbit recording. (that was a joke, why would you do that?)
The Ninja is really an awesome device. Pricing is also quite moderate, $995 USD | €795 Ex.VAT | £695 Ex.VAT is the cost for a portable DSLR recording monster. Owners of the Version 1 of the Ninja will be presented with an upgrade option soon, according to Atomos.
A recent update to the AtomOS operating system allows native 24P recording, which is supported by the Nikon D800. Nikon owners are very pleased, as outlined on some example videos on Vimeo.
Here are the news in a flash:
- Online or Offline, Master or Back-up: 10-bit 4:2:2, 220Mbps, 2.5” HDD or SSD
- Any HDMI or HD-SDI source: DSLRS, Decks, Switchers, PC, Mac, iPad & iPhone
- Ready to deliver, high-capacity HDD or SSD: No more expensive memory cards!
- 800x480 screen with 170° viewing and loop play: Focus Peaking, Zebra, False Color & Blue Only Exposure
- Pristine Playback & Playout: SmartLog - Just Mark & Tag
Adobe Presents Creative Suite CS6 with Tons of Updates, introduces Subscription Service
Adobe officially announced the the launch of Creative Suite 6 (CS6) which can already be read about on the Adobe CS6 Website. Adobe also presented a new payment method for the usage of CS6: for $49,99 per Month, the whole Bundle of Software can be used on a subscription basis, which is significantly lower than assumed. Small project-teams and low-budget productions can benefit from this service. Updates of Premiere have some highlights such as "native DSLR and Video Camera support", where Adobe also lists the ARRI Alexa, Red EPIC, Red Scarlet, Canon EOS C2300, as newly supported devices. Adobe After Effects finally supports Illustrator path-import. All in all, the whole Suite is said to be much faster, as the new Mercury Engine speeds up overall usage with improved GPU support.
Blackmagic Design Cinema Camera: 2.5K RAW Video in ProRes, CinemaDNG and Avid DNxHD
Black Magic Design unleashed the Black Magic Design Cinema Camera with 2.5K RAW Video in CinemaDNG (12-Bit), Avid DNxHD (10-bit) and ProRes (10-bit) support. The Camera can record on SSD drives internally and features a touchscreen with 5" and 800 x 480 resolution. But that's not all: it has Thunderbolt connection, so getting that recorded data out fast is not an issue.
The camera has a dynamic range of 13 stops (!) and supports EF (Canon) and ZF (Zeiss) lenses. Only disappointment seems to be audio support: one integrated mono mic, 2x 1/4" jacks for balanced analog audio (why no XLR?).
Oh, and wait - that's not all - for the suggested price of $3000 they also give you DaVinci Resolve, which is said to be "world's most advanced color correction software", as well as BlackMagic Media Express (Capture Software) and Blackmagic UltraScope software for waveform monitoring from the camera’s Thunderbolt port.
If that isn't something!
Nikon D800 criticisms refuted: Pixel Sizes and Image Quality
A Guest Blogger on NikonRumors points out, that lots of criticism regarding the Nikon D800 DSLR Camera is because of lack of technical knowledge.
Nikon D800
24 X 35.9mm sensor hosting 36.3 mega pixels
Sensor is 861.6mm squared
Pixel Pitch is 4.88 microns
Nikon D800 in DX shooting mode
16 X 24 sensor hosting 15.4 mega pixels
Sensor used is 384mm squared
Pixel Pitch is 4.88 microns
The Nikon D800 has the largest pixels when compared to the Nikon D7000, the Canon 7D, the Olympus EP-3 and the Olympus OM-D E-M5. According to a commenter on said topic, the Canon 5D MkIII (22.3 Mpx) with it’s full sensor gives a close measure to that size of pixel. Knowing that the full sensor size is 36 x 24 mm and the ratio is 3:2, [...] a calculation gives a pixel pitch approx 6.22 micron.
The Nikon D800 can be pre-ordered for $2999,00 - the Canon EOS 5D MKIII already ships for $3499,00. Nikon D800 second hand price currently rises and is already more than pre-ordering a brand new Camera: current bids go as high as $3.800,00.
Panasonic GH2 beats the crap out of Canon EOS 5D MKIII (MK3)
"Now here we are nearly 4 years down the road from the original 5D Mark II that started it all. What do we have? A 5D Mark III with video quality dated to the tune of nearly 4 years." (eoshd)
I am a big fan of the Panasonic GH2, but since the Canon EOS 5D MKIII and the Nikon D800 were released to the public, I am thinking of switching gear. Currently, there is a fight between the D800 and the 5D3, but the Panasonic GH2 seems to still beat the crap out of Canon. Did Canon finally lose the DSLR wars?
The Panasonic GH2 is a bargain on amazon US:
($899)
($849)If you are into second-hand gear, you can get your hands on the Panasonic GH2 starting at $400. Go and get one, while they are still cheap ;)
Canon can still turn the wheel around, by releasing a firmware upgrade. Currently, the EOS 5D MK3 has very poor video quality - only the reduced rolling shutter and moire are worth an upgrade - although the price of the Canon is far too high. I totally have to agree with EOSHD on this one.
computers saved capitalism. according to joseph weizenbaum
Joseph Weizenbaum, German-American author and professor emeritus of computer science at MIT is called one of the grandfathers of artificial intelligence. The documentary Weizenbaum. Rebel at Work shows Weizenbaum talking about computers and globalism. He states that "if you think of the social structures of the world (...) computers came at the right time to prevent a radical change of the world". Computers finally saved capitalism in a moment, when the polulation boom needed a structural change - in some sense, computers prevented a radical and maybe better transformation, according to Weizenbaum.
The film on DVD is highly recommended by nanofunk!
The film spans 8 decades of Joseph Weizenbaum's life. It provides a stage for his humorous narrative depicting a World of Yesterday while reflecting on the dawn of the computer age. It follows 84-year-old Weizenbaum on some of his numerous public lessons, effortlessly entertaining overcrowded lecture halls. (via amazon.com)
Nikon D800 (D800E) vs. 5D MK3 (MKIII): Raw Video, HDMI, Magic Lantern
The war on the DSLR front continues to evolve between the Nikon D800 and the Canon EOS 5D MKIII. The current state of information is as follows:
Canon 5D MKIII
The Canon 5D MKIII performs better in low-light and high ISO. Sadly it has no clean HDMI out, which is a real bummer. The internal codec is at 90Mbps 4:2:0, which is not much. The available video samples look good, although it could be even better with clean HDMI output - but who is to bring clean HDMI to the 5d3? There are two possible ways:
a) Magic Lantern could bring clean HDMI output to the Canon 5D MK3, if it can be hacked, which is not clear as of now. Also, it will take some time, expect at least 6months to see any usable development (if at all).
b) Canon could release a firmware update to provide clean HDMI out. We could try and contact canon to tell them, that we demand clean HDMI out. Of course, it remains totally unclear if they will ever release such an update.
Although, the Canon 5D MK3 seems to have better Video capabilities, clean detail and no moire (or at least almost no moire) - which would not be fixed by HDMI out anyway. If there is the chance to crank up the codec to 180Mbit (with a hack by Vitaly Kiselev or Magic Lantern) we would see a definite winner in the battle.
Nikon D800/D800E
The Nikon D800 performs quite well on paper, but in reality the Canon 5D MK3 performs better in low-light and high ISO. First samples of clean HDMI output and RAW Video (Apple ProRes) with the Nikon D800 are online - and they look great. Keep in mind that the Nikon D800 provides 8bit output (not 10bit), and the first RAW Video results are better than the internal codec Canon 5D MK3 Videos. Bundled with the Atomos Samurai and the Atomos h2s connect the Nikon D800 brings you high resolution 800×480 LCD (with focus peaking and zebras via latest firmware) plus 4:2:2 video. This is clearly the best setup we have as of today, maybe only topped by a D4+Samurai (c.f. mike kobal's results with the d800).
Still, the current discussion is about comparing apples to oranges, at least from watching actual results and comparing them:
Comparing photo/stills performance (via canonrumors forum)
1. At ISO100, the Nikon D800 has noticeably superior images out of the camera, due primarily to greater detail and dynamic range.
2. At ISO6400, the Canon 5DIII has noticeably superior images out of the camera, due primarily to significantly less noise.
bobatkins notes: The bottom line is that neither the D800 nor the EOS 5D MkIII sensor is "better". They are different. The Nikon sensor should have higher resolution which will be desirable for those making very large prints or who need to significantly crop their images. On the other hand the EOS 5D MkIII sensor will produce images with lower noise and higher dynamic range in lower light conditions where the use of higher ISO settings are desirable. For smaller prints at lower ISO settings (which is where most amateur photographers will be working most of the time), the sensor pixel count and noise characteristics won't matter.
Comparing video performace
Fact: Video doesn't need a high resolution sensor, it is all about the crop modes and sensor scaling, as outlined by eoshd, when we just look at the surface of the Nikon D800 vs Canon 5D MK3 debate.
BUT (as discussed on dvinfo) the Nikon D4 could be the real deal, beating both the D800 and the 5D3: It would seem to me that as a micro-budget filmmaker without access to as much lighting as one would like - the fatter pixels of the d4 would provide better low light shooting outside at night, dimly lit night interiors etc. When moving about with only a china ball and a c-stand I think I would want the sensor of the d4 on my side to maximize the lack of additional equipment. So while it seems like the d800 is better suited because of the price tag - my thoughts are that the d4 with one more crop setting than the d800 [fewer lenses], and better low light, and wireless control [small crew] that it is the d4 that will actually be the indie-filmmakers choice.
There is no clear winner to the war, and Canon could still turn around and release a firmware update that provides HDMI out. Further, the actual results of the D4 vs D800 have to be compared to crown the king of DSLR video.
In the meanwhile, it might be also worth to invest in a Canon 5D MKII still, since it is selling quite cheap those days (selling for $2,199.00 new) and can be used with RAW Video (HDMI) output with Magic Lantern Unified soon.
Canon 5D Mark III (5DMK3) manual online (download inside)
The official Manual for the Canon 5D MKIII has surfaced. (thanks planet5d for hosting the file)
Also downloadable: Canon EOS 5D Mark III Pocket Guide
Sony Alpha SLT-A57 with APS-C Sensor supports 1080p full HD Video with 60 FPS
Sony unveiled the Sony Alpha SLT-A57K 16.1 MP Exmor DSLR HD Video Camera with a CMOS Sensor, Translucent Mirror Technology, 3D Sweep Panorama and 18-55mm Zoom Lens. The midrange d-SLR features a 16-megapixel, APS-C-sized sensor and is positioned to compete with Canon's EOS Rebel T3i and the Nikon's D5100. It can be pre-ordered on amazon already, for a price of $699.
Sony has announced the SLT-A57, a replacement for the original A55 fixed-mirror, electronic viewfinder DSLR. The A57 still features a 16MP sensor and LCD viewfinder but incorporates them into essentially the same body as the more expensive A65. Use of the latest Bionz processor means the A57 offers a wider-than-ever selection of photographic features and image processing modes. There's also an optional HVL-LE1 video-lighting LED panel.
Key Specifications:
16.1MP CMOS sensor
Latest Bionz processor
Larger, FM500H battery (same as A65 and A77)
ISO 100-16000
Auto ISO 100-3200
1,440,000 dot LCD electronic viewfinder
920,000 dot bottom-hinged rear LCD
10 frame per second continuous shooting mode with AF (12fps at 8.4MP crop)
Picture Effects processing options
Clear View Zoom up-sizing digital zoom
Peaking manual focus guide overlay
1080p AVCHD 2.0 movies at 60 or 24 fps (50 or 25 in Europe)
Sadly, neither the Atomos Ninja 10-Bit Uncompressed to Apple ProRes Field Recorder nor the Black Magic HyperDeck Shuttle Raw Video HDMI Recorder
supports 50frames and 60frames in Full-HD (1080p), so we are limited to the internal recordings on the camera. The Sony Alpha SLT-A57 supports AVCHD 2, so the video output should be decent. We are looking forward to example videos and will keep you posted on updates.
First Nikon D4 Unboxing Video
Nikonrumors just posted the first Nikon D4 unboxing video.
Current deals:
* Nikon D4 16.2 MP CMOS FX Digital SLR (Body Only) pre-order at amazon.com for $5.999
* Nikon D4 product page on ebay.com
Canon EOS 5D MKIII (MK3) Sample Video/ Movie Roundup
The Canon EOS 5D MKIII looks good on paper: 91MB/s h264 codec, less moire and antialiasing, better low-light performance. Here are some example videos from the web that showcase the new and upcoming DSLR video beast from Canon. (thanks to dslr4video)
Canon 5D3 Video Sample with EF Lenses
Canon 5D Mark III first sample short movie, Canon 5D MK III, 50mm f1.4
Canon EOS 5D Mark III 720P SHOTS (NO COLOR CORRECTION)
Opteka SteadyVid PRO Video Stabilizer System for Digital Cameras/Camcorders/DSLR looks promising
The Opteka SteadyVid PRO Video Stabilizer System looks very promising and also got some recent reviews (see the unboxing video below). For a steadycam tool it it very cheap - especially when filming with the Panasonic GH2 or soon hopefully the D800 or 5D3 this will be my tool of choice: just ordered myself one. Here is the Opteka SteadyVid Pro on Amazon.com.
The Opteka SteadyVid PROis a video stabilizing system designed to reduce shake and stabilize video on cameras and camcorders weighing up to 5 lbs (2.26kg). The SteadyVid PRO features aluminum construction, adjustable mounting plate, comfort grip handle, super-smooth gimbal, sprit level and includes 2 removable weights in addition to the main counterweight.
Key Features
* Supports up to 5 lbs (2.26kg)
* Adjustable mounting plate for on the fly precise balancing
* Comfort grip handle
* Super smooth gimbal for accurate motion
* Spirit Level
* Includes 2 add-on weights in addition to the main counterweight
Canon EOS 5D MKII MK3 is here and can be pre-ordered on amazon. But: no clean HDMI makes D800(E) a strong competitor
The long awaited Canon EOS 5DMKIII is here, as correctly predicted by canonrumors and the best news: it can be pre-ordered on amazon. This means that we won't only have to see if the Canon 5D MK3 will be hackable and can use Magic Lantern, it also has to face a direct competitor: the Nikon D800.
Why would anyone switch lenses and go down the Nikon Road when the new Canon EOS 5D looks so promising? Well, it has one small but serious flaw: it does not support clean HDMI (uncompressed HDMI) output.
This small fact means, that external HDMI recorders (see the RAW VIDEO comparison on nanofunk) such as the Black Magic Hyperdeck Shuttle or the Atomos Ninja will not work with the Canon EOS 5D MK3. Still, if the camera gets hacked by the Magic Lantern Project, or a firmware update gets released by Canon, the situation could change. After all, the 5D3 is a very capable camera, and in some points even superior to the Nikon D800.
What are the new features of the Canon 5D MKIII for filmers/videographers?
The new 5D3 produces 90mbit h264 files out-of-the box. This is a significant improvement over the previous 5D2. Also, the negative rolling shutter effect is reduced by half, as outlined by a japanese blog. ISO performance is almost clean at ISO 3200, and much improved at 6400 and 12,800. Aliasing and moire are reduced. There is less false detail and the codec improved a lot.
improvements roundup (via eoshd)
* 91Mbit high bit rate video support
* possible "movie crop mode" (similar to the Panasonic GH2 Extra-Tele Video Mode)
* Audio controls and on screen meters
* Clean ISO 12,800 and full resolution JPEGs
EOS 5D Mark III ISO 12800 MOVIE
EOS 5D Mark III ISO 12800 MOVIE from SAIKA on Vimeo.
Please add your comments below. It looks like with that specs, we might not even need the 5D MKIII to be hacked, as it performs quite well out-of-the-box. Still the Nikon D800 is a worthy competitor and we have to wait for both cameras to be delivered, so we can crown the future king of DSLR Video. Until then, why not get both cameras? :)
Finally! The Canon EOS 5D MKIII (MK3) is here (soon)! (Pics inside)
[Update 2012-3-11] The Canon EOS 5D MKIII (MK3) can be pre-ordered at Amazon.com. Also, the Canon EOS 5D MKII (MK2) is currently selling for 1.599€ as B-Ware on Amazon Germany.
After years of waiting it finally happened: Canon will present the 5D MKIII in the upcoming days. Canonrumors reported, the camera will be announced Friday, March 2, 2012.
The Camera will be 22megapixels qnd feature an improved auto focus system with 61 points AF. 5D mark 3 also will have 100% viewfinder coverage, slightly larger LCD screen and dual CF/SD card slot. This camera is targeted for professionals or enthusiasts who want a lighter and more affordable cameras.
SPECS
22mp
61pt AF
100% VF
3.2″ LCD
Dual CF/SD Card Slots
Price: Around $3500 USD
The release of the Canon 5D MKIII might bring down the price of the Canon EOS 5D MKII which is still at 2399$ in the US and EUR 1.756,42 in Europe. I will post more information as it becomes available.
Next Canon 5D Mark III (5D X) announcement in the next days
[Update] the Canon EOS 5D MKIII has been announced and can be pre-ordered at Amazon.com. Also, the Canon EOS 5D MKII (MK2) is currently selling for 1.599€ as B-Ware on Amazon Germany.
According to various sources, the long awaited successor to the Canon 5D MKII (MK2) will be announced in the next days. Canonrumors reports an "announcement on February 27 or 28, 2012 (depending where you are on earth)".
Specs:
* 22mp
* 61pt AF
* 100% VF
* 3.2″ LCD
* Dual CF/SD Card Slots
* Price: Around $3500 USD
The picture below was taken by Stephen Oachs when he spotted a Japanese photographer field testing the mystery camera in Kenya: the photographer explained he was taking a new 200-400mm lens with a built-in teleconverter for a test-drive, but the camera body also looked unfamiliar. Design changes seem to be:
- No popup flash
- Joystick on the battery grip
- Screen appears wider (although it could be distortion)
- New button layouts
- New Scroll wheel
The full-frame 5D3 is expected to be GPS enabled and feature eye control auto focus. A sensor resolution in the 22 megapixel range along with shooting at 6.9 frames per second and 61 auto focus points have also been reported. Canon recently replaced both the 1D Mark IV and 1Ds Mark III models with the EOS-1D X digital SLR.
Once the 5D MKIII or the 5D X is announced, we can expect it to show up at amazon.com so we can post preorders. The same can be seen with the Nikon D800, which can be preordered on amazon germany and amazon UK.
New Olympus OM-D Camera is said to beat Panasonic GH2 in video quality
A new camera from Olympus will be released soon: the Olympus OM-D, styled after the classic OM-1 manually operated 35mm single-lens reflex camera. The Olympus advert features the words "Oh My Goodness", with the O and the M highlighted in bold. The OM-1 is a 35mm SLR film camera harking back to 1972. It's likely that the new camera would directly compete with the Fujifilm X Pro1, which was announced at CES, and also features retro styling and interchangeable lenses.
According to 43rumors, the "New Olympus OM video quality is better than on the GH2!" - but what does that mean exactly? First of all, Olympus is said to have reduced the "jello effect" as well as improved the dynamic range of the sensor. The question remains, what's the new sensor that could achieve such specs?
Here is a roundup of the rumored specs:
Olympus OM-1n with 50 mm / f 1.8 lens. Body weight 510 g only Author: Jmak, Source: Wikipedia
* 16 million MegaPixel Sensor
* Micro Four Thirds Mount and Sensor
* built-in electronic Viewfinder
* weather sealed magnesium body
* new AF System
* ISO range: 200 - 25600
* EVF which will simulate the pentaprism design
* The built-in flash will have a GN=10 (Guide Number)
* 5-axis shake reduction
* Fast AF & 3D tracking
* Two colors will be available: black and silver
* Weather sealed magnesium body
* Camera width: 121mm
* Weight: 425g
Rumours suggest that the OM-D will be presented on February 8th, during the CP+ photography show, taking place in Japan (home of Olympus).
Still, the Panasonic GH2 is a good choice for film makers and photographers alike (starting at $650 in the US and €695 in Europe), since it is currently cheap and has the same mount as the upcoming OM-D. If the OM-D firmware can be hacked remains unclear - it is a fact though, that hacking will take its time, since the Panasonic GF3 hack is also not even done yet.
Rode VideoMic HD Brings Serious Audio to HDSLRs: NTG3 technology, SD card and Blimp!
Thanks to photography bay I just read about the upcoming Rode VideoMic HD (not availale yet). It sounds like a dream come true: the technology used is from the Rode NTG-3 (even the NTG-2 kicks ass and is highly recommended), furthermore it has a wind and shock-protection as well as integrated SD-card recording (!).
There’s no way to know just how much of NTG-3 tehnology is going to show up inside this new VideoMic HD; however, if it’s anywhere close to the quality and isolation that it delivers, we could be in for a real treat.
* Integrated digital recorder (microSDHC)
* RF-bias, true condenser shotgun microphone (based on RØDE NTG3 technology)
* Line and Mic (mixer) inputs (with ‘plug-in’ power)
* High level headphone amplifier for monitoring
* Three-level High Pass Filter (0, 75Hz, 150Hz)
* Integrated Blimp wind protection and shock mounting
* Multi mode outputs (Dual mono/split 0db and -10db for auto safety/dual mono + 20dB)
* High frequency ‘boost’ switch for increased intelligibility at distance miking
* Utra-lightweight metal casing
* Quick release mounting system
Computer Displays (Monitors) for editing 2K, 3K and 4K Video Footage (above 1920×1080) “Retina”
The sensor sizes and resolution for digital video and film increase, but what displays for editing can be used when exceeding the full HD (1920x1080) resolution? Here are some opinions and examples.
1920x1080 Full HD (comparable to 2K)
Dell UltraSharp U2711 27-inch.
For the penny saver: you could use a Full-HD LCD Television (LED) with HDMI to monitor your edits. You can get them starting at $600 via Amazon US (starting at around 500€ in Europe). Since you might produce for TV or youtube anyway, this might be the best way to go, since it is also a cheap solution.
If you need to have a higher resolution (~2.5K 2560 x 1440) the Dell UltraSharp U2711 27-inch might be the Monitor you are searching for.
3K Footage (e.g. from the RED Scarlet-X)
IBM T221 22-inch QUXGA-W LCD Monitor
There is a 22.2" LCD Monitor with the resolution of 3480 x 2400 pixels - the Viewsonic VP2290B-2 22.2" and it's twin: the IBM T221. That's 9.2 Megapixels (!). The Viewsonic VP2290B-2 is available as Refurbished for $3.500 on Amazon, the IBM T221 is available used for $1.675.
You might still be lucky and get a bargain via eBay, though:
a) $1500 (€1.140) IBM T221 IPS, including a LFH-60 to DL-DVI Adapter
b) $600 for a Viewsonic VP2290b (!) with free shipping. Plus there are some more of that IBM monitors available from that seller.
4K Footage (e.g. from RED Scarlet, RED Epic, Arri Alexa, etc.)
Sony VW1000ES 4K Projector for $28.000. You might get second hand 4K Projectors starting at $2.000 already.
The EIZO DuraVision FDH3601 with a 4096 x 2160 resolution (2160p) sells for around 36.000$. You might be cheaper off with a 4K Beamer (Projector).
While the Sony VW1000ES 4K Beamer sells for around 28.000USD, the Christie Mirage S+4K 3D DLP Projector with 5000 Lumen sells used for $5,980.00 on Amazon. Still, the question is if you care about a second hand beamer: if you own 4K production equipment, you most likely have the moolah to get yourself a brand spanking new 4K projector as well.
5K Footage and above, up to 8K (e.g. from 5K RED Epic or 2x RED Epic)
If you want to go all way up to next-level 8K, you can get the recently announced 85 inch 8K Monitor. Make sure to already start saving some bucks, though.
Strangely, the trend of the past years seems to be in decreasing the pixel resolution on the displays (since there are mostly mobile screens deployed). We can expect a pixel bump in 2012 though, since the upcoming iPad 3 (and it is said also MacBook Air and MacBook Pro) will most possibly have Retina Screens with 2880x1800 pixel resolution (source: ArsTechnica).
Recommended Reading: make sure to read "The Truth About 2K, 4K and The Future of Pixels" for some background information on pixels and sensors.
Canon 5D Mark II – Merging AJ and Unified Magic Lantern versions
Magic Lantern, the alternative firmware for Canon cameras is currently running on 550D/T2i, 60D, 600D/T3i, 500D/T1i, 50D 5D Mark II and 1100D. The Unfied Version is not running on the 5D MKII yet (although you can get early access by donating via paypal) - but the long-term plan is "merging the AJ 5.x firmware with the unified one currently running on smaller cameras". This is good news indeed (see the HDR-Video option of ML Unified). You can also read the review of ML Unified on EOSHD.
Meet the new 5D Mark II Magic Lantern Unified from Andrew Reid on Vimeo.
here is out only wanted feature:
* more work on HDMI output for the 5DMKII so it is fully usable with the Atomos Ninja
You can support the development by sending them a small donation: http://goo.gl/gvD8Q. Here is the original sendout from the magic lantern user group:
Following the small, but positive feedback from this thread [ http://bit.ly/ml-unified-5D2 ], I'm glad to announce the next long-term direction of Magic Lantern: merging the AJ 5.x firmware with the unified one currently running on smaller cameras.
I need your help. As explained in the previous post, a good port (one suitable for paid jobs) requires me having a camera for testing. On 550D/60D ports, crashes are almost non-existent, audio meters are calibrated, HDMI monitors are fully usable and so on. So, if you like this idea, you may help me buy a 5D2 by:- a small donation (you don't need a PayPal account for this): http://goo.gl/gvD8Q
- or by spreading the word, since right now there are not many users familiar with both ML versionsFeature-wise: I'd like to ask the users who have tried both AJ and Unified ML (especially those using both versions in a regular fashion) to comment on this. Main question: what's the best of both worlds? What do you like better in AJ 5.x and what do you like better in Unified? Big thanks to all ML community for making it possible!
Alex
Canon Cameras: 5D Mark III Sooner Than Later, 7D Mark II for Photokina?
canonrumors puts a date on a possible announcement of the long awaited Canon 5D MK III (MK3): announced around the end of March or early April 2012, "availability will probably happen before the summer begins in 2012. No specs were given at this time. This is a very solid [CR2]. The NAB show is April 14-19 in Las Vegas.".
The Canon EOS 7D Mark 2, northlight-images amongst other blogs report, "will be one of the big items Canon shows at Photokina 2012 in Cologne, Germany". Reports about the camera being APS-C are rumored, even though there is some info out there about it being APS-H. (dpreview, canonrumors)
Currently, the Canon EOS 5D MK II sells starting at $1,980.00 on Amazon US and EUR 1.679,95 on Amazon Germany. The Canon EOS 7D starts at $1,298.49 (Amazon US) and EUR 1.229,95 (Amazon Germany). Since there were recent price drops, it is unclear if the prices will further slide down, once a new product will be introduced. Our recommendation is to get a Camera now, if you really need it, possibly refurbished. The second hand value will still be high, so it's currently a good time to buy, although new models might be around the corner.
Magic Lantern Unified: High Dynamic Range VIDEO feature (HDR Video) for Canon DSLR cams
Magic Lantern Unified looks promising: High Dynamic Range VIDEO for Canon cameras:
============== UPDATE ================
available for download now!
magiclantern.wikia.com/wiki/Release_2011Dec22
======================================
Demonstration of the new and free High Dynamic Range VIDEO feature for control over ultra contrast situations.Discussion, workflow, RAW footage, FAQ:
vimeo.com/groups/74140/forumthread:250295Magic Lantern is a custom firmware add-on for Canon dSLR cameras. It is not a hack, or a modified firmware, but it runs alongside Canon's own firmware, booting from the card every time you turn the camera on. The only modification to the original firmware is the ability to boot software from the card.
HDR Video: what does it mean? It does not output pre-processed HDR video from the camera, rather it blends the alternative high ISO / low ISO frames together in post (see this discussion thread at Vimeo). There is of course a difference if you use two Canon 5D MKII for generating a HDR movie (as this guy did) compared to this "hack", although the development of Magic Lantern continues to impress!
Keep on rocking! We can't await clean HDMI output for the 5DMKII to use it with the Atomos Ninja (if this hack is possible at all...)
Canon launches the C300 cinema camera: a competitor for Red Scarlet and Arri Alexa?
Canon recently unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a huge crowd. Cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world - the Canon C300 aims at people that are into professional DSLR Video and want to take a step further.
It will cost somewhere in the range of $20,000. It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens.
Mobius - 1080p HQ from Vincent Laforet on Vimeo.
iPhone 4S / Canon 5d MKII Side by Side Comparison
***You can download the full 1080p version of this video for a more accurate presentation.
Here's a "fair" test between the iPhone 4S and the Canon 5D MK II. I made a little rig that allowed me to shoot both cameras at the same time side by side. All scenes are perfectly synced together so you can pause and scrutinize the frames! See photo of the makeshift rig in the photo area.
Exposure, shutter speed, frame rate and picture style were matched as close as possible between the two cameras. (I used the Zacuto Z-finder to help me adjust exposure for both iPhone and 5D)
This test shows that the tiny F2.4 lens and sensor on the iPhone are pretty nice. It even got a little depth of field!
I did not overlay the exact ISO and Stops 5D settings per shot. It was too much to keep track for this simple test. To be fair I matched 5D exposure to the iPhone so no "Cinestyle" / 24p here.
Here are the settings:
iPhone 4S
- AE.AF locked. That's all you have!
Canon 5D MKII
- Canon 50mm 1.4
- ISO 160 ~ 640 (varied per shot to match the iPhone)
- F 7~22 (varied per shot to match the iPhone)
- Shutter 1/60th
- Auto WB
- Standard Picture Style
- 1080p 30
(Source: vimeo.com)
Panasonic GH2 Driftwood/Vitaly Patches 176Mbps AVCHD Intra up to 244Mbps Intra: A poor man’s RED?
Video: Tsawout Spit – Gh2 Test (driftwood 176mb gop1 hack) from mark wyatt on Vimeo.
There seems to be no day without any surprises with the Panasonic GH2. The latest hot-shit is a hack to get 176Mbps AVCHD Intra up and running on the camera. Right now there's no possibility to record in 25p but there are attempts by vitaly and others, so let's see what the future holds.
What is AVCHD Intra?
"AVCHD Intra is usually recorded to extremely expensive P2 cards on high end cameras and here it is on a consumer camera with an SD card. [...] This is a codec that uses i-frames only unlike consumer AVCHD. Every frame from the sensor is stored. Standard AVCHD is a Long-GOP compression format and works by estimating and guessing at frames in-between ‘real’ images but Intra doesn’t. [...] AVCHD Intra is very good for heavy colour grading, fast action, hand held footage and green screen VFX work. You certainly get a better result from AVCHD Intra on the GH2 than by outputting from any DSLR’s HDMI feed to a external recorder as well." (via eosHD)
How does it compare?
eosHD has a comparison on AVCHD intra 100Mbps vs 24Mbit AVCHD.
And if that's not enough: there is even a 244Mbps AVCHD Intra Hack, as outlined by Driftwood: "It's stable and with good lighting conditions can look amazing."
eosHD recommends: "AVCHD Intra at such high bitrates can be tricky to edit so I recommend transcoding it to ProRes 4-4-4 first."
Canon announces new flagship DSLR: 1Dx with improved Video capabilities
Canon announced the company’s newest flagship professional DSLR today, the 18 megapixel full-frame Canon 1Dx. The 1Dx will sit atop Canon’s model line as an update to both the Canon 1Ds and the 1D Mark IV, and is expected to debut for $6800 body-only in March 2012.
The 1Dx will feature dual DIGIC 5 processors, which Canon claims offer approximately 17 times more processing power than the previous generation DIGIC 4s.
Those looking for an upgrade to the 5D Mark II for video capture may find a friend in the 1Dx, as it is capable of 1080/30p/25p/24p HD video capture, with options for 720/60p/50p as well. The image sensor has been designed with video in mind, meaning that downsampling errors and the resultant moire effect should be significantly reduced. The file system’s 4GB limit has also been worked around, with an automatic file splitting functionality enabling up to 29 minute and 59 seconds of continuous video capture.
The camera also supports two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, to ease syncing up multiple cameras in post. The 1Dx will also support both intraframe (ALL-i) and interframe (IPB) compression, to aid post-production and editing workflows, depending on need. The camera also offers manual audio level control both before and during video capture with the internal monaural mic or an external stereo microphone.
Canon's all new full-frame CMOS sensor ensures that video footage captured on the EOS-1D X will exhibit less moiré than any previous Canon model, resulting in a significant improvement in HD video quality. A desired feature for many documentary filmmakers using Canon DSLRs was to enable recording beyond the four gigabyte (GB) file capacity and the EOS-1D X is the answer. The new camera features automatic splitting of movie files when a single file exceeds 4GB. The new file splitting function allows for continuous video recording up to 29 minutes and 59 seconds across multiple 4GB files; no frames are dropped and the multiple files can be seamlessly connected in post production, providing filmmakers the recording time they want in the same convenient DSLR form factor. The camera records Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards.
The Canon EOS-1D X also includes manual audio level control, adjustable both before and during movie recording, an automatic setting, or it can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input.
The Canon 1Dx offers USB transfer, but will also sport a wired gigabit Ethernet port for stable wired transmission of video and still images at up to 1000BASE-T transmission speeds. That should allow not only faster transmission of files, but longer, more practical connection solutions for professionals. For on-camera storage, the 1Dx will eschew SD storage in favor of dual Compact Flash cards.
The low-light capability of the EOS-1D X is evident in its incredible ISO range and ability to photograph in extremely low-light conditions. Adjustable from ISO 100 to 51,200 within its standard range, the new model offers a low ISO 50 setting for studio and landscape photography and two high settings of 102,400 at H1 and 204,800 at H2, ideal for law enforcement, government or forensic field applications.
(via usa.canon.com)
Panasonic GH2 is a mobile video beast: hackable and extendable.
The Panasonic GH2 turns out to be the currently best Video-DSLr out there, although it is not even a DSLR. The micro-four thirds sensor is much smaller than a full-frame sensor, but the video footage that this great camera produces is far superior to those from lets say the Canon EOS 5D MKII
- no moires, no aliasing and a much better video codec: AVCHD. Besides the obvious facts, the GH2 gets hacked extensively: Vitaliy Kiselev first hacked the GH1 and after that the Panasonic GH2.
With the PTOOL firmware manipulation tool, you can get the following improvements, among many others:
- Change Video Bitrates
- Improved GOP patches.
- Improved MJPEG size patches.
- change the 30min recording restriction
- lots of other changes
Patching the firware was possible, after a GH2 Firmware update leaked.
Here is a short overview on what to do in 10 steps:
1) Get a Patch from the extensive patch repository.
2) Load the GH2 1.0E firmware
3) Check all necessary patches, Version increment must be always checked.
4) Save firmware. Just change last digit to any number you want. (e.g. GH2__V11.bin)
5) Copy firmware to root of SD card. Fully charge you battery. Do not even attempt to use AC coupler!
6) Power off your camera if it was on.
7) Power on camera. After this press (not hold) green play button.
8) You'll see hourglass and prompt to update.
9) Press down arrow and after this Menu/set.
10) Wait until upgrade will be completed.
happy modding!
Fujian 35mm F1.7 CCTV TV lens +Mount for MFT m43 (Micro Four Thirds) for $48,99
A great bargain for m34 (Micro Four Thirds) users (Olympus, Panasonic, etc): the Fujian 35mm F1.7 CCTV TV lens +Mount for MFT m43 (Micro Four Thirds) which sells for $48,99 including free worldwide shipping. We just ordered two of them, so expect photo and video examples soon. In the meanwhile, you might want to take a look at some youtube example footage.
This CCTV Lens is a high quality lens with alloy casing. It is ideal for use in bars, shops, parking lots, houses and warehouse, etc. It gives you the widest field of view image avaialble with a C mount lens. This CCTV Camera Lens provides ultra clear vision for your camera. Incorporates advanced optical elements to ensure all-around sharpness and efficient light conductivity. Its iris can be manually adjusted according to available light levels.
Specifications Fujian 35mm F1.7 CCTV TV lens
Mount type: C mount
Focal length : 35mm
Aperture:F1.7-C
Iris/ Focus operation: manual
Angle of view: 13.8
Object distance: 30cm -infinite
Compatible with cameras including:
Panasonic: G1, GH1, GH2 GF1, G2, G10
Olympus: E-P1, EP-2, E-PL1 fits C Mount Movie Lens
C mount M4/3 Camera lens Adapter to EP1 EP2 GF1 GF2 GH1 GH2
With a C Mount Lens to Micro 4/3 Adapter you can use C Mount lenses on your MFT system. You can use this camera adapter ring in conjunction with the camera adapters to complete the connection to a digital camera supporting a filter thread.
Fuji high end mirrorless system will be uber-large, higher than full-frame!
Fuji will make a mirrorless system with an ueber-large sensor that will deliver an image quality higher as any full frame system. The resolution and Signal-to-Noise ratio will top all current full frame sensors.
Fuji president and CEO Shigetaka Komori said they will create a mirrorless, interchangeable lens camera built around a larger sensor with ‘resolution and low noise [that] will surpass the 35mm full size sensor’. If Canon does not come up with the EOS 5D MKIII fast, people will start to switch.
(via DC.watch)
Nikon D800 36MP Camera Announced. Canon 6D of 5D MKIII to follow as a response?
Nikon Rumors is reporting a 36mp D800 coming in the next 30-60 days at a 99% probability. As Canonrumors pointed out, this can be a great thing for Canon users: New full frame sensor cameras, as well as a 5D MKIII or a 6D could be possible. Well, we are desperately waiting, currently equipped with two Panasonic GH2 Cameras that are hacked to the extreme. See an example Video on Vimeo (66Mbps Hack). If there is no alternative coming out soon, lots of people will stick to their GH2s, as they are currently the best there is, especially when using the Atomos Ninja
(see a great Example on the Atomos Ninja with the Panasonic GH2).
[UPDATE] Nikonrumors posted More Nikon D800 bits and pieces: 100% Viewfinder coverage, improved AF with face recognition, SD+CF dual memory card slots as well as a USB 3.0 possibility. The question remains, why not CFAST? On another post, the ISO range is said to be 100 – 6400, ISO LO @ 50 and ISO HI-2 @ 25600. We can only wait and see...
New Apple iPhone 4S – mainly lens improvements, but: great optics indeed! (plus: Siri A.I.)
Everyone's talking about the new iPhone 4S that was announced by Apple recently. But is there more to it than improved optics? Even if not, the camera is a huge improvement over the previous model: 1080p video recording, 8 Megapixel photo sensor, f/2.4 aperture.
Behind all the updates, the most interesting is HSDPA support. In countries such as Austria or Japan, where HSDPA is widespread, this is a very welcome hardware upgrade. Still, why is there no HSPA+ support? In cities with a weak broadband coverage (everything above a few MB upstream) - such as Vienna, this is really akward. We still have to fall back to the Samsung Galaxy S2 i9100, which offers HSPA+ among other great features. So the "only" killer feature of the Apple iPhone 4S remains the greatly improved Camera - which is to question, concerning the price of such a gadget. An Amazon Search for the iPhone 4S
Our recommendations: wait for the iPhone 5 and get some real gear instead.
1) Get a Canon PowerShot S100
2) Get a SONIM XP5300 3G FORCE
Redrock Micro creates Canon EF to Micro Four Thirds adapter with aperture control
Redrock Micro has created a Canon EF to Micro Four Thirds lens adapter which adds the electronics required to control the aperture on the mounted EOS lenses - 9V battery and a touch-panel allows the adapter to specify the lens aperture in 1/3EV steps. The adapter (LiveLens MFT) costs $442.50 and is available directly from the manufacturer's website.
The Redrock Micro LiveLens, Active Lens Mount for Canon EF Lenses
Redrock Micro's LiveLens MFT provides the required power and electronics to control Canon EF lenses when attached to a micro four-thirds camera body. With the LiveLens MFT's control touchpad, the EF lens' aperture can be open and closed in increments as small as 1/3 stop. The LiveLens MFT works with virtually every EF lens available today, including variable aperture zoom lenses, prime lenses, consumer-level lenses, professional L-series lenses and most third party EF-compatible lenses. A marvel of advanced design, the LiveLens MFT is incredibly compact and weighs less than 6oz. (via dpreview)
Reworked Camera Lenses for Canon EOS, Nikon, Leica M, Sony NEX, Kodak and Micro Four Thirds!
The eBay reseller jieying-usa ist selling custom reworks of lenses for Micro Four Thirds
,Canon EOS
, Nikon
, Leica M
, Sony NEX
, Kodak
and others
.
Among the lenses, a reworked Rodenstock 50mm f/0.75 for Micro Four Thirds, that fits on your camera without the need of an adapter. The lens focuses from 3ft to infinity. Wide open, images are very soft but unlike C-mount lenses the circle covers the full m43 size. Here are some flickr examples.
RAW Video for DSLR with Magic Lantern and Black Magic Hyperdeck Shuttle (vs. Atomos Ninja): 5D MKII, 550D, Rebels
SLR Film making got even more exciting: with the availability of HDMI recorders, RAW Video footage can be recorded to get the maximum out of your Canon 5D MKII or other camera compatible with Magic Lantern. Standard Firmware does not output a "clean" HDMI signal, at least not for Canon cameras; the Panasonic GH2 produces a clean HDMI output, as noted by Philip Bloom (!).
What are currently recommended HDMI field recorders?
1. Black Magic Hyperdeck Shuttle (RAW Video)
* Product information page/ manufacturer: Black Magic Design
* Discussion on the Magic Lantern User Group: hyperdeck shuttle
Pro:
Cons:
)2. Atomos Ninja - Portable HDMI Recorder
(ProRes)
Pro:
Cons:
Conclusion:
Unless you are super-rich and have tons of money to spend for Solid State Drives and a RAID Array, you should get the Atomos Ninja. Besides the actual device, you also get a monitoring solution and have a true portable device, that creates files usable with normal hard drives. Overall cost is much lower and there should not be a really visible difference from ProRes to RAW footage. If you are into Bokeh Porn, you might want to spend your money in the Black Magic Hyperdeck Shuttle.
Keep in mind, there are currently some issues with HDMI out an Magic Lantern: there is a video on the 5D MKII's 1080i out and also some discussions going on in the Magic Lantern Forums, because some processing needs to be done to get actual usable files. Actual resolutionis 12-19% less (depending how you do it) but still the results are awesome - especially in low light situations. Maybe we will get real clean HDMI out with the Canon EOS 5D MKIII.
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Four Thirds Lenses on MFT (Micro Four Thirds) Cameras: but is there a way to mount FT on Canon EF?
With the Four Thirds Standard being around for quite a bit longer than the MFT (Micro Four Thirds) there is an actual way to use those lenses on a MFT System such as the Panasonic GH2 or any other Micro Four Thirds Cameras
Unfortunately, the optics of 4/3 and MFT (Four Thirds and Micro Four Thirds) imply, that the image size projected on the sensor is smaller than any full frame or APS-C sensor so there would be a massive vignetting (a reduction of an image's brightness or saturation at the periphery compared to the image center), producing pictures as the ballon-picture on the left. A gradual decrease in light intensity towards the image periphery happens, so it actually does not make so much sense to use MFT or 4/3 lenses on systems with a larger sensor. Still it totally makes sense, to use lenses designed for 35mm or larger than four thirds on any FT/MFT system, such as the Redrock Micro LiveLens, Active Lens Mount for Canon EF Lenses. In another post, I will write a comparison on legacy lens systems and the usage on MFT/FT and EF systems.