AMD Radeon HD 7970 still not accelerated in 10.7.3 but usable on Hackintosh
The new ATI Graphics Cards from the 7970 series are super-fast, while being single GPU systems (the upcoming 7990 will be a dual-GPU 6GB Graphics Card). Besides being quite "cheap" (around 500€ in Europe, $589 in the US, they are said to be supported in OSX soon (see also a discovery by netkas) - until then, there is a current way how to use them (although not accelerated) with chimera. Props go to Shrapnl from the tonymac86 forum:
I was able to force my 7970 into a higher res (still unaccelerated of course) via the org.chameleon.boot.plist with the following:
<key>Graphics Mode</key>
<string>2560x1440x32</string></pre>
Of course, you can overclock the 7900 Series just fine. There are "Waterblocks" from Aquacomputer for the 7900 series, as outlined by Geeks3D.
Of course, the GPU runs quite fast without overclocking, still you could go faster. Below: Shamino has overclocked a Radeon HD 7970 under LN2 with the following clock speeds: 1650MHz for the GPU and 1800MHz real speed (7200MHz effective) for the memory. (Source: geeks3d)

[Update] the best way to cool your AMD Radeon 7970 is the Arctic Cooling Accelero Xtreme 7970 which will cool down your GPU for additional 10degrees celsius (at least). Overclocking, here we go!
New Olympus OM-D Camera is said to beat Panasonic GH2 in video quality
A new camera from Olympus will be released soon: the Olympus OM-D, styled after the classic OM-1 manually operated 35mm single-lens reflex camera. The Olympus advert features the words "Oh My Goodness", with the O and the M highlighted in bold. The OM-1 is a 35mm SLR film camera harking back to 1972. It's likely that the new camera would directly compete with the Fujifilm X Pro1, which was announced at CES, and also features retro styling and interchangeable lenses.
According to 43rumors, the "New Olympus OM video quality is better than on the GH2!" - but what does that mean exactly? First of all, Olympus is said to have reduced the "jello effect" as well as improved the dynamic range of the sensor. The question remains, what's the new sensor that could achieve such specs?
Here is a roundup of the rumored specs:
* 16 million MegaPixel Sensor
* Micro Four Thirds Mount and Sensor
* built-in electronic Viewfinder
* weather sealed magnesium body
* new AF System
* ISO range: 200 - 25600
* EVF which will simulate the pentaprism design
* The built-in flash will have a GN=10 (Guide Number)
* 5-axis shake reduction
* Fast AF & 3D tracking
* Two colors will be available: black and silver
* Weather sealed magnesium body
* Camera width: 121mm
* Weight: 425g
Rumours suggest that the OM-D will be presented on February 8th, during the CP+ photography show, taking place in Japan (home of Olympus).
Still, the Panasonic GH2 is a good choice for film makers and photographers alike (starting at $650 in the US and €695 in Europe), since it is currently cheap and has the same mount as the upcoming OM-D. If the OM-D firmware can be hacked remains unclear - it is a fact though, that hacking will take its time, since the Panasonic GF3 hack is also not even done yet.
Rode VideoMic HD Brings Serious Audio to HDSLRs: NTG3 technology, SD card and Blimp!

Thanks to photography bay I just read about the upcoming Rode VideoMic HD (not availale yet). It sounds like a dream come true: the technology used is from the Rode NTG-3 (even the NTG-2 kicks ass and is highly recommended), furthermore it has a wind and shock-protection as well as integrated SD-card recording (!).
There’s no way to know just how much of NTG-3 tehnology is going to show up inside this new VideoMic HD; however, if it’s anywhere close to the quality and isolation that it delivers, we could be in for a real treat.
* Integrated digital recorder (microSDHC)
* RF-bias, true condenser shotgun microphone (based on RØDE NTG3 technology)
* Line and Mic (mixer) inputs (with ‘plug-in’ power)
* High level headphone amplifier for monitoring
* Three-level High Pass Filter (0, 75Hz, 150Hz)
* Integrated Blimp wind protection and shock mounting
* Multi mode outputs (Dual mono/split 0db and -10db for auto safety/dual mono + 20dB)
* High frequency ‘boost’ switch for increased intelligibility at distance miking
* Utra-lightweight metal casing
* Quick release mounting system
Computer Displays (Monitors) for editing 2K, 3K and 4K Video Footage (above 1920×1080) “Retina”
The sensor sizes and resolution for digital video and film increase, but what displays for editing can be used when exceeding the full HD (1920x1080) resolution? Here are some opinions and examples.
1920x1080 Full HD (comparable to 2K)
For the penny saver: you could use a Full-HD LCD Television (LED) with HDMI to monitor your edits. You can get them starting at $600 via Amazon US (starting at around 500€ in Europe). Since you might produce for TV or youtube anyway, this might be the best way to go, since it is also a cheap solution.
If you need to have a higher resolution (~2.5K 2560 x 1440) the Dell UltraSharp U2711 27-inch might be the Monitor you are searching for.
3K Footage (e.g. from the RED Scarlet-X)
There is a 22.2" LCD Monitor with the resolution of 3480 x 2400 pixels - the Viewsonic VP2290B-2 22.2" and it's twin: the IBM T221. That's 9.2 Megapixels (!). The Viewsonic VP2290B-2 is available as Refurbished for $3.500 on Amazon, the IBM T221 is available used for $1.675.
You might still be lucky and get a bargain via eBay, though:
a) $1500 (€1.140) IBM T221 IPS, including a LFH-60 to DL-DVI Adapter
b) $600 for a Viewsonic VP2290b (!) with free shipping. Plus there are some more of that IBM monitors available from that seller.
4K Footage (e.g. from RED Scarlet, RED Epic, Arri Alexa, etc.)

Sony VW1000ES 4K Projector for $28.000. You might get second hand 4K Projectors starting at $2.000 already.
The EIZO DuraVision FDH3601 with a 4096 x 2160 resolution (2160p) sells for around 36.000$. You might be cheaper off with a 4K Beamer (Projector).
While the Sony VW1000ES 4K Beamer sells for around 28.000USD, the Christie Mirage S+4K 3D DLP Projector with 5000 Lumen sells used for $5,980.00 on Amazon. Still, the question is if you care about a second hand beamer: if you own 4K production equipment, you most likely have the moolah to get yourself a brand spanking new 4K projector as well.
5K Footage and above, up to 8K (e.g. from 5K RED Epic or 2x RED Epic)
If you want to go all way up to next-level 8K, you can get the recently announced 85 inch 8K Monitor. Make sure to already start saving some bucks, though.
Strangely, the trend of the past years seems to be in decreasing the pixel resolution on the displays (since there are mostly mobile screens deployed). We can expect a pixel bump in 2012 though, since the upcoming iPad 3 (and it is said also MacBook Air and MacBook Pro) will most possibly have Retina Screens with 2880x1800 pixel resolution (source: ArsTechnica).
Recommended Reading: make sure to read "The Truth About 2K, 4K and The Future of Pixels" for some background information on pixels and sensors.
Canon 5D Mark II – Merging AJ and Unified Magic Lantern versions
Magic Lantern, the alternative firmware for Canon cameras is currently running on 550D/T2i, 60D, 600D/T3i, 500D/T1i, 50D 5D Mark II and 1100D. The Unfied Version is not running on the 5D MKII yet (although you can get early access by donating via paypal) - but the long-term plan is "merging the AJ 5.x firmware with the unified one currently running on smaller cameras". This is good news indeed (see the HDR-Video option of ML Unified). You can also read the review of ML Unified on EOSHD.
Meet the new 5D Mark II Magic Lantern Unified from Andrew Reid on Vimeo.
here is out only wanted feature:
* more work on HDMI output for the 5DMKII so it is fully usable with the Atomos Ninja
You can support the development by sending them a small donation: http://goo.gl/gvD8Q. Here is the original sendout from the magic lantern user group:
Following the small, but positive feedback from this thread [ http://bit.ly/ml-unified-5D2 ], I'm glad to announce the next long-term direction of Magic Lantern: merging the AJ 5.x firmware with the unified one currently running on smaller cameras.
I need your help. As explained in the previous post, a good port (one suitable for paid jobs) requires me having a camera for testing. On 550D/60D ports, crashes are almost non-existent, audio meters are calibrated, HDMI monitors are fully usable and so on. So, if you like this idea, you may help me buy a 5D2 by:- a small donation (you don't need a PayPal account for this): http://goo.gl/gvD8Q
- or by spreading the word, since right now there are not many users familiar with both ML versionsFeature-wise: I'd like to ask the users who have tried both AJ and Unified ML (especially those using both versions in a regular fashion) to comment on this. Main question: what's the best of both worlds? What do you like better in AJ 5.x and what do you like better in Unified? Big thanks to all ML community for making it possible!
Alex




![IBM T221 22-inch QUXGA-W LCD Monitor [3,840 x 2,400 Ultra High RIBM T221 Resolution] You might only be able to find those rare items on ebay or on other second hand platforms.](http://www.nanofunk.net/wp-content/uploads/2012/01/1279614273_81694736_1-Pictures-of-Used-IBM-T221-22-inch-QUXGA-W-LCD-Monitor-3840-x-2400-Ultra-High-RIBM-T221-2esolution-1279614273.jpg)

